https://ambikarajgopal.co/2017/10/09/i-am-the-hunter-i-am-the-prey-interview-with-sadik-kwaish-alfraji/https://ambikarajgopal.co/wp-content/uploads/2017/10/hunt_still216.jpghunt_still216https://ambikarajgopal.co/wp-content/uploads/2017/10/aan-oct17-p21-page-001.jpgAAN OCT17 p21-page-001https://ambikarajgopal.co/wp-content/uploads/2017/10/aan-oct17-p20-new-page-001.jpgAAN OCT17 p20 NEW-page-0012017-10-09T17:49:08+00:00monthlyhttps://ambikarajgopal.co/about/https://ambikarajgopal.co/wp-content/uploads/2013/10/fullsizerender.jpgFullSizeRenderhttps://ambikarajgopal.co/wp-content/uploads/2013/10/fullsizerender-copy.jpgFullSizeRender copy2017-09-15T16:22:02+00:00weekly0.6https://ambikarajgopal.co/2017/09/14/in-profile-cristina-rodrigues-interview/https://ambikarajgopal.co/wp-content/uploads/2017/09/170717_p7177768-15.jpg170717_P7177768-15https://ambikarajgopal.co/wp-content/uploads/2017/09/170717_p7177815-34.jpg170717_P7177815-34https://ambikarajgopal.co/wp-content/uploads/2017/09/screen-shot-2017-09-15-at-1-55-30-am.pngScreen Shot 2017-09-15 at 1.55.30 amhttps://ambikarajgopal.co/wp-content/uploads/2017/09/170717_p7177755-11.jpg170717_P7177755-11https://ambikarajgopal.co/wp-content/uploads/2017/09/170717_p7177746-7.jpg170717_P7177746-7https://ambikarajgopal.co/wp-content/uploads/2017/09/screen-shot-2017-09-15-at-1-51-07-am.pngScreen Shot 2017-09-15 at 1.51.07 amhttps://ambikarajgopal.co/wp-content/uploads/2017/09/screen-shot-2017-09-15-at-1-47-50-am.pngScreen Shot 2017-09-15 at 1.47.50 amhttps://ambikarajgopal.co/wp-content/uploads/2017/09/170717_p7177820-35.jpg170717_P7177820-35https://ambikarajgopal.co/wp-content/uploads/2017/09/170717_p7177828-40.jpg170717_P7177828-402017-09-15T16:12:30+00:00monthlyhttps://ambikarajgopal.co/2017/09/15/1455/https://ambikarajgopal.co/wp-content/uploads/2017/09/170717_p7177821-361.jpg170717_P7177821-36https://ambikarajgopal.co/wp-content/uploads/2017/09/170717_p7177821-36.jpg170717_P7177821-36https://ambikarajgopal.co/wp-content/uploads/2017/09/170717_p7177923-53.jpg170717_P7177923-53https://ambikarajgopal.co/wp-content/uploads/2017/09/170717_p7177783-19.jpg170717_P7177783-192017-09-15T16:11:25+00:00monthlyhttps://ambikarajgopal.co/2017/07/07/reformed-histories/https://ambikarajgopal.co/wp-content/uploads/2017/07/lalla-essaydi-bullets-revisited-21-2013-chromogenic-print-mounted-to-aluminum-with-a-uv-protective-laminate-121-9-x-152-4-cm-from-an-edition-of-10.jpgLalla Essaydi, Bullets Revisited #21, 2013, Chromogenic print mounted to aluminum with a UV protective laminate, 121.9 x 152.4 cm, From an edition of 10https://ambikarajgopal.co/wp-content/uploads/2017/07/lalla-essaydi-copy-3.jpegLalla Essaydi copy 3https://ambikarajgopal.co/wp-content/uploads/2017/07/lalla-essaydi-copy-2.jpegLalla Essaydi copy 2https://ambikarajgopal.co/wp-content/uploads/2017/07/lalla-essaydi-copy.jpegLalla Essaydi copyhttps://ambikarajgopal.co/wp-content/uploads/2017/07/lalla-essaydi.jpegLalla Essaydi2017-07-07T16:22:01+00:00monthlyhttps://ambikarajgopal.co/2017/06/09/dansaekhwa-less-is-more/https://ambikarajgopal.co/wp-content/uploads/2017/06/art-central-lee-ufan-from-line-1979-mineral-pigment-and-oil-gallery-hyundai-korea.jpgart-central-lee-ufan-from-line-1979-mineral-pigment-and-oil-gallery-hyundai-koreahttps://ambikarajgopal.co/wp-content/uploads/2017/06/screen-shot-2017-06-09-at-2-45-50-pm.pngScreen Shot 2017-06-09 at 2.45.50 pmhttps://ambikarajgopal.co/wp-content/uploads/2017/06/screen-shot-2017-06-09-at-2-45-09-pm.pngScreen Shot 2017-06-09 at 2.45.09 pm2017-06-09T16:57:09+00:00monthlyhttps://ambikarajgopal.co/2016/06/15/interview-with-imran-qureshi/https://ambikarajgopal.co/wp-content/uploads/2016/06/screen-shot-2016-06-15-at-5-42-44-pm.pngScreen Shot 2016-06-15 at 5.42.44 pm2016-06-15T13:51:49+00:00monthlyhttps://ambikarajgopal.co/2016/06/15/jamini-roy-conservation/https://ambikarajgopal.co/wp-content/uploads/2016/06/pa-71-57.jpgpa-71-57Saint Francis, (1940), opaque watercolour on boardhttps://ambikarajgopal.co/wp-content/uploads/2016/06/pa-71-22.jpgpa-71-22Krishna and Balarama (1950), opaque watercolour on canvashttps://ambikarajgopal.co/wp-content/uploads/2016/06/conservator-rustin-levenson-working-on-the-world-of-kantha-photo-courtesy-of-artcare.jpgConservator Rustin Levenson working on The World of Kantha. Photo courtesy of ArtCare.Conservator Rustin Levenson working on Three Boatmen. Photo courtesy of ArtCarehttps://ambikarajgopal.co/wp-content/uploads/2016/06/1991-15-3.jpg1991.15.3Bird with Two Fish (1954), gouache on boardhttps://ambikarajgopal.co/wp-content/uploads/2016/06/1991-15-2.jpg1991.15.2Three Boatmen (date unknown), gouache on boardhttps://ambikarajgopal.co/wp-content/uploads/2016/06/1987-1-56.jpg1987.1.56The World of Kantha (1950), opaque watercolour on canvashttps://ambikarajgopal.co/wp-content/uploads/2016/06/1987-1-54.jpg1987.1.54The Annunciation (1950), opaque watercolour on canvashttps://ambikarajgopal.co/wp-content/uploads/2016/06/1987-1-48.jpg1987.1.48Santal Boy with Drum (1935), opaque watercolour on canvashttps://ambikarajgopal.co/wp-content/uploads/2016/06/conservator-kelly-o_neill-working-on-the-world-of-kantha-photo-courtesy-of-artcare.jpgDuring Treatment_The World of Kantha 8The World of Kantha (1950), opaque watercolour on canvas2016-06-15T11:39:53+00:00monthlyhttps://ambikarajgopal.co/2016/06/01/guan-xiao-flattened-metal/https://ambikarajgopal.co/wp-content/uploads/2016/06/4-_installation_view_of_guan_xiao_flattened_metal_in_association_with_k11_art_foundation__20_april___19_june_2016__institute_of_contemporary_arts_london__ica___photo_mark_blower_864.jpg4._installation_view_of_guan_xiao_flattened_metal_in_association_with_k11_art_foundation__20_april___19_june_2016__institute_of_contemporary_arts_london__ica___photo_mark_blower_864GUAN XIAO, Action, 2014, HD video on three monitors: 10 min. Courtesy the artisthttps://ambikarajgopal.co/wp-content/uploads/2016/06/3-_installation_view_of_guan_xiao_flattened_metal_in_association_with_k11_art_foundation__20_april___19_june_2016__institute_of_contemporary_arts_london__ica___photo_mark_blower__2_.jpg3._installation_view_of_guan_xiao_flattened_metal_in_association_with_k11_art_foundation__20_april___19_june_2016__institute_of_contemporary_arts_london__ica___photo_mark_blower__2_GUAN XIAO, From Unit 3 to Unit 7, 2016, resin, stainless steel, MDF, acrylic, speaker, C-stand and mesh fabric, dimensions variable. Courtesy the artist. https://ambikarajgopal.co/wp-content/uploads/2016/06/2-_installation_view_of_guan_xiao_flattened_metal_in_association_with_k11_art_foundation__20_april___19_june_2016__institute_of_contemporary_arts_london__ica___photo_mark_blower__4__864.jpg2._installation_view_of_guan_xiao_flattened_metal_in_association_with_k11_art_foundation__20_april___19_june_2016__institute_of_contemporary_arts_london__ica___photo_mark_blower__4__864GUAN XIAO, Little Drum, 2016, resin, metal, glass, light bulb, acrylic, C-stand and mesh fabric, dimensions variable. Courtesy the artist. https://ambikarajgopal.co/wp-content/uploads/2016/06/1-_installation_view_of_guan_xiao_flattened_metal_in_association_with_k11_art_foundation__20_april___19_june_2016__institute_of_contemporary_arts_london__ica___photo_mark_blower__5__864.jpg1._installation_view_of_guan_xiao_flattened_metal_in_association_with_k11_art_foundation__20_april___19_june_2016__institute_of_contemporary_arts_london__ica___photo_mark_blower__5__864GUAN XIAO, Amazon Gold, 2016, fiberglass, resin, plaster, acrylic, speaker, C-stand and mesh fabric, dimensions variable. Courtesy the artist. 2016-06-06T17:03:52+00:00monthlyhttps://ambikarajgopal.co/2016/04/25/imran-qureshi-where-the-shadows-are-so-deep/https://ambikarajgopal.co/wp-content/uploads/2016/04/exhibition-popup2.jpgexhibition-popuphttps://ambikarajgopal.co/wp-content/uploads/2016/04/imranqureshi_gall1.jpgimranqureshi_gall1Imran Qureshi: Where the Shadows are so Deep Photo by Tristan Fewings/Getty Images for The Barbican Art Galleryhttps://ambikarajgopal.co/wp-content/uploads/2016/04/images.jpgimageshttps://ambikarajgopal.co/wp-content/uploads/2016/04/image.jpgimageImran Qureshi: Where the Shadows are so Deep Photo by Tristan Fewings/Getty Images for The Barbican Art Galleryhttps://ambikarajgopal.co/wp-content/uploads/2016/04/exhibition-popup1.jpgexhibition-popupImran Qureshi: Where the Shadows are so Deep Photo by Tristan Fewings/Getty Images for The Barbican Art Galleryhttps://ambikarajgopal.co/wp-content/uploads/2016/04/img_4815-e1456130610874.jpgIMG_4815-e1456130610874Imran Qureshi: Where the Shadows are so Deep https://ambikarajgopal.co/wp-content/uploads/2016/04/koreshi_grande.jpgkoreshi_grandeImran Qureshi: Where the Shadows are so Deep Photo by Tristan Fewings/Getty Images for The Barbican Art Galleryhttps://ambikarajgopal.co/wp-content/uploads/2016/04/exhibition-popup.jpgexhibition-popupImran Qureshi: Where the Shadows are so Deep Photo by Tristan Fewings/Getty Images for The Barbican Art Galleryhttps://ambikarajgopal.co/wp-content/uploads/2016/04/imranqureshi_gall.jpgimranqureshi_gallImran Qureshi: Where the Shadows are so Deep. Image Credit: http://blog.barbican.org.uk/2016/02/meet-the-artist-imran-qureshi/https://ambikarajgopal.co/wp-content/uploads/2016/04/imran-qureshi_-where-the-shadows-are-so-deep-the-curve-barbican-photo-tristan-fewings_getty-images-2-e1456135177125-1.jpgImran-Qureshi_-Where-the-Shadows-are-so-Deep.-The-Curve-Barbican.-Photo-Tristan-Fewings_Getty-Images-2-e1456135177125-1Imran Qureshi: Where the Shadows are so Deep Photo by Tristan Fewings/Getty Images for The Barbican Art Gallery2016-06-01T11:11:47+00:00monthlyhttps://ambikarajgopal.co/2016/05/18/lee-jungdong-translucent-narrative/https://ambikarajgopal.co/wp-content/uploads/2016/05/pose1_160x130cm_mixedmediaonvinyl2014.jpgPose1_160x130cm_MixedMediaOnVinyl2014Lee Jungdong, ‘POSE 1’, 2014, mixed media on vinyl, 160 x 130 cm. Image courtesy the artist and KWANHOON Gallery, Seoul.https://ambikarajgopal.co/wp-content/uploads/2016/05/poseor_160x190cm_mixedmediaonvinyl_2013.jpgPoseOr_160x190cm_MixedMediaOnVinyl_2013Lee Jungdong, ‘POSE (Or)’, 2013, mixed media on vinyl, 160 x 190 cm. Image courtesy the artist and KWANHOON Gallery, Seoul.https://ambikarajgopal.co/wp-content/uploads/2016/05/fabricatedtree_295x130cmtriptych_mixedmediaonvinyl2013.jpgFabricatedTree_295x130cmTriptych_MixedMediaOnVinyl2013Lee Jungdong, ‘Fabricated Tree’, 2013, mixed media on vinyl, 295 x 130 cm, 3 pieces. Image courtesy the artist and KWANHOON Gallery, Seoul.https://ambikarajgopal.co/wp-content/uploads/2016/05/forest1.jpgForest1Lee Jungdong, ‘Forest 1’, 2014-2015, mixed media on vinyl, 550 x 180 cm. Image courtesy the artist and KWANHOON Gallery, Seoul.https://ambikarajgopal.co/wp-content/uploads/2016/05/installationview2floor-3.jpgInstallationView2floor-3Lee Jungdong, “Translucent Narrative”, installation view at KWANHOON Gallery Seoul, 11 May – 7 June 2016. Image courtesy the artist and KWANHOON Gallery, Seoul.https://ambikarajgopal.co/wp-content/uploads/2016/05/installationview3fl-3-e1463460143537.jpgInstallationView3fl-3-e1463460143537Lee Jungdong, “Translucent Narrative”, installation view at KWANHOON Gallery Seoul, 11 May – 7 June 2016. Image courtesy the artist and KWANHOON Gallery, Seoul.https://ambikarajgopal.co/wp-content/uploads/2016/05/forestdetail.jpgForestDetailLee Jungdong, ‘Forest 1, 2, 3’, 2014-2015, mixed media on vinyl, 550 x 180 cm, 3 pieces, detail. Image courtesy the artist and KWANHOON Gallery, Seoul.https://ambikarajgopal.co/wp-content/uploads/2016/05/detail4-e1463460026279.jpgDetail4-e14634600262792016-06-01T08:10:03+00:00monthlyhttps://ambikarajgopal.co/2016/06/01/shahryar-nashat-model-malady/https://ambikarajgopal.co/wp-content/uploads/2016/06/shahryar-nashat_24-b-e1464616554816.jpgShahryar-Nashat_24-b-e1464616554816Shahryar Nashat, “Model Malady”, 2016. Installation view at Portikus, Frankfurt. Photo: Helena Schlichting. Image courtesy Portikus.https://ambikarajgopal.co/wp-content/uploads/2016/06/shahryar-nashat_18-b.jpgShahryar-Nashat_18-bShahryar Nashat, “Model Malady”, 2016. Installation view at Portikus, Frankfurt. Photo: Helena Schlichting. Image courtesy Portikus.https://ambikarajgopal.co/wp-content/uploads/2016/06/sn2016_01_09-e1464616385261.jpgSN2016_01_09-e1464616385261Shahryar Nashat, ‘Present Sore’, 2016, still from video (detail), 9m:20s.Image courtesy Rodeo, London and Silberkuppe, Berlin.https://ambikarajgopal.co/wp-content/uploads/2016/06/sn2016_01_07-e1464614677269.jpgSN2016_01_07-e1464614677269Shahryar Nashat, ‘Present Sore’, 2016, still from video (detail), 9m:20s.Image courtesy Rodeo, London and Silberkuppe, Berlin.https://ambikarajgopal.co/wp-content/uploads/2016/06/shahryar-nashat_11-b-e1464616365532.jpgShahryar-Nashat_11-b-e1464616365532Shahryar Nashat, “Model Malady”, 2016. Installation view at Portikus, Frankfurt. Photo: Helena Schlichting. Image courtesy Portikus.https://ambikarajgopal.co/wp-content/uploads/2016/06/sn2016_01_06-e1464615004557.jpgSN2016_01_06-e1464615004557Shahryar Nashat, ‘Present Sore’, 2016, still from video (detail), 9m:20s.Image courtesy Rodeo, London and Silberkuppe, Berlin.https://ambikarajgopal.co/wp-content/uploads/2016/06/shahryar_feature.jpgshahryar_featureShahryar Nashat, still from Plaque (Slab), 2007. Courtesy of Elisabeth Kaufmann, Zurich. Sourced from: http://bidoun.org/articles/plaque-beauty-shahryar-nashathttps://ambikarajgopal.co/wp-content/uploads/2016/05/shahryar-nashat_09-b.jpgShahryar-Nashat_09-bShahryar Nashat, “Model Malady”, 2016. Installation view at Portikus, Frankfurt. Photo: Helena Schlichting. Image courtesy Portikus.2016-06-01T08:06:12+00:00monthlyhttps://ambikarajgopal.co/2016/05/25/jamie-m-lee-summer-shower/https://ambikarajgopal.co/wp-content/uploads/2016/05/summer-showerdetail-3.jpgsummer-showerdetail-3Jamie M. Lee, “Summer Shower”, 2016, installation view (detail) at The Glass Box. Image courtesy the artist and Bongsan Cultural Center.https://ambikarajgopal.co/wp-content/uploads/2016/05/3jamie-m-lee_summer-shower_hand-cut-paper_2016-e1464022449934.jpg3Jamie-M.-Lee_Summer-shower_hand-cut-paper_2016-e1464022449934Jamie M. Lee, “Summer Shower”, 2016, installation view at The Glass Box. Image courtesy the artist and Bongsan Cultural Center.https://ambikarajgopal.co/wp-content/uploads/2016/05/6-summer-shower_hand-cut-paper_590x620x600cm_2016-e1464022212410.jpg6.Summer-shower_hand-cut-paper_590X620X600cm_2016-e1464022212410Jamie M. Lee, “Summer Shower”, 2016, installation view (detail) at The Glass Box. Image courtesy the artist and Bongsan Cultural Center.https://ambikarajgopal.co/wp-content/uploads/2016/05/1jamie-m-lee_summer-shower_hand-cut-paper_2016.jpg1Jamie-M.-Lee_Summer-shower_hand-cut-paper_2016Jamie M. Lee, “Summer Shower”, 2016, installation view at The Glass Box. Image courtesy the artist and Bongsan Cultural Center.https://ambikarajgopal.co/wp-content/uploads/2016/05/summer-showerdetail-e1464019819555.jpgsummer-showerdetail-e1464019819555Jamie M. Lee, “Summer Shower”, 2016, installation view (detail) at The Glass Box. Image courtesy the artist and Bongsan Cultural Center.https://ambikarajgopal.co/wp-content/uploads/2016/05/i-still-believe-in-miracles2014acrylic-and-mixed-media-on-canvas21x18in53x41cm.jpgI-still-believe-in-miracles2014Acrylic-and-mixed-media-on-canvas21X18in53X41cmJamie M. Lee, ‘I Still Believe in Miracles’, 2014, acrylic and mixed media on canvas, 21 x 18 in (53 x 41 cm). Image courtesy the artist.https://ambikarajgopal.co/wp-content/uploads/2016/05/dreamscape-2014-acrylic-and-mixed-media-on-canvas-44x57-5in112x145-5cm-e1464019347927.jpgDreamscape-2014-Acrylic-and-mixed-media-on-canvas-44X57.5in112x145.5cm-e1464019347927Jamie M. Lee, ‘Dreamscape’, 2014, acrylic and mixed media on canvas, 44 x 57.5 in (112 x 145.5 cm). Image courtesy the artist.https://ambikarajgopal.co/wp-content/uploads/2016/05/1-summer-shower_hand-cut-paper_590x620x600cm_2016.jpg1.Summer-shower_hand-cut-paper_590X620X600cm_2016Jamie M. Lee, “Summer Shower”, 2016, installation view at The Glass Box. Image courtesy the artist and Bongsan Cultural Center.2016-05-25T10:22:42+00:00monthlyhttps://ambikarajgopal.co/2016/05/04/kim-jongsook-spectacle-of-phantasmagoria/https://ambikarajgopal.co/wp-content/uploads/2016/05/51_kimjonsook.jpg51_KimJonSookKim Jongsook, ‘Cobalt Maewha’, from the series “Artificial Landscape”, 2013, mixed media on canvas, made with Swarovski’s cut crystals, 130 x 130cm (정방100호). Image courtesy Gallery rae.https://ambikarajgopal.co/wp-content/uploads/2016/05/12_kimjonsook.jpg12_KimJonSookKim Jongsook, ‘Siam Maewha’, from the series “Artificial Landscape”, 2013, mixed media on canvas, made with Swarovski’s cut crystals, 130 x 130cm (정방100호). Image courtesy Gallery rae.https://ambikarajgopal.co/wp-content/uploads/2016/05/6_kimjonsook.jpg6_KimJonSookKim Jongsook, ‘Luminous Blue Mountain’, from the series “Artificial Landscape”, 2016, mixed media on canvas, made with Swarovski’s cut crystals, 180.0 x 180.0 cm (150호 정방). Image courtesy Gallery rae.https://ambikarajgopal.co/wp-content/uploads/2016/05/4_kimjonsook.jpg4_KimJonSookKim Jongsook, ‘Greige Mountain’, from the series “Artificial Landscape”, 2014, mixed media on canvas, made with Swarovski’s cut crystals, 80.3 x 100.0 cm (40호 F). Image courtesy galleryrae.https://ambikarajgopal.co/wp-content/uploads/2016/05/2_kimjonsook.jpg2_KimJonSookKim Jongsook, ‘Golden Picture’, from the series “Artificial Landscape”, 2014, mixed media on canvas, made with Swarovski’s cut crystals, 130.3 x 194.0 cm (120호 F). Image courtesy Gallery rae.https://ambikarajgopal.co/wp-content/uploads/2016/05/3_kimjonsook.jpg3_KimJonSookKim Jongsook, ‘Luminous Greige’, from the series “Artificial Landscape”, 2014, mixed media on canvas, made with Swarovski’s cut crystals, 90.9 x 116.8 cm (50호 F). Image courtesy Gallery rae.2016-05-09T04:01:05+00:00monthlyhttps://ambikarajgopal.co/2016/04/19/reza-derakshani-the-breeze-at-dawn/https://ambikarajgopal.co/wp-content/uploads/2016/04/4-_reza_derakshani__hunting_the_ecstasy__2015__oil_on_canvas__180_x_250_cm__courtesy_of_the_artist_and_sophia_contemporary_864.jpg4._reza_derakshani__hunting_the_ecstasy__2015__oil_on_canvas__180_x_250_cm__courtesy_of_the_artist_and_sophia_contemporary_864REZA DERAKSHANI, Hunting the Ecstasy, 2015, oil on canvas, 180 × 250 cm. Courtesy the artist and Sophia Contemporary, London.https://ambikarajgopal.co/wp-content/uploads/2016/04/fullsizerender.jpgFullSizeRenderREZA DERAKSHANI, Anari Gold, 2015, oil on canvas. Courtesy Ambika Rajgopalhttps://ambikarajgopal.co/wp-content/uploads/2016/04/reza-derakshani-shirin-and-khosro-2013-oil-and-glitter-on-canvas-149x119-cm.jpgReza Derakshani, Shirin and Khosro, 2013, Oil and glitter on canvas, 149x119 cmREZA DERAKSHANI, Shirin and Khosro, 2013, Oil and glitter on canvas, 149x119 cm. Courtesy the artist and Sophia Contemporary, London. https://ambikarajgopal.co/wp-content/uploads/2016/04/fullsizerender-2.jpgFullSizeRender-2REZA DERAKSHANI, Those Roots Drink Quietly! #2, 2015, oil on canvas. Courtesy the artist and Sophia Contemporary, London. https://ambikarajgopal.co/wp-content/uploads/2016/04/reza-derakshani-garden-party-at-the-red-castle-2015-198-x-178-cm-courtesy-of-the-artist-and-sophia-contemporary-gallery.jpgReza Derakshani, Garden Party at the Red Castle, 2015, 198 x 178 cm, courtesy of the artist and Sophia Contemporary GalleryREZA DERAKSHANI, Garden Party at the Red Castle, 2015, 198 × 178 cm. Courtesy the artist and Sophia Contemporary, London.https://ambikarajgopal.co/wp-content/uploads/2016/04/reza-derakshani-hunting-the-sunshine-2015-oil-on-canvas-198-x-224-cm-courtesy-of-the-artist-and-sophia-contemporary.jpgReza Derakshani, Hunting the Sunshine, 2015, oil on canvas, 198 x 224 cm, courtesy of the artist and Sophia ContemporaryREZA DERAKSHANI, Hunting the Sunshine, 2015, oil on canvas, 198 × 224 cm. Courtesy the artist and Sophia Contemporary, London. https://ambikarajgopal.co/wp-content/uploads/2016/04/2-_reza_derakshani__garden_party_at_the_red_castle__2015__198_x_178_cm__courtesy_of_the_artist_and_sophia_contemporary_gallery_346.jpg2._reza_derakshani__garden_party_at_the_red_castle__2015__198_x_178_cm__courtesy_of_the_artist_and_sophia_contemporary_gallery_346REZA DERAKSHANI, Garden Party at the Red Castle, 2015, 198 × 178 cm. Courtesy the artist and Sophia Contemporary, London. https://ambikarajgopal.co/wp-content/uploads/2016/04/1-installation_view_of_reza_derakshani_the_breeze_at_dawn_at_sophia_contemporary_gallery__photography_by_julija_svetlova_6_864.jpg1.installation_view_of_reza_derakshani_the_breeze_at_dawn_at_sophia_contemporary_gallery__photography_by_julija_svetlova_6_864Installation view of “Reza Derakshani: The Breeze at Dawn” at Sophia Contemporary, London, 2016. Photo by Julija Svetlova. Courtesy Sophia Contemporary. 2016-04-19T13:40:11+00:00monthlyhttps://ambikarajgopal.co/2016/03/31/y-z-kami-white-domes/https://ambikarajgopal.co/wp-content/uploads/2016/03/albrecht_dc3bcrer_-_praying_hands_1508_-_google_art_project.jpgAlbrecht_Dürer_-_Praying_Hands,_1508_-_Google_Art_ProjectAlbrecht Dürer, Praying Hands (1508) , via Wikimedia Commonshttps://ambikarajgopal.co/wp-content/uploads/2016/03/kami_yz_endless-prayers-iv_2015_mixed-media-on-paper_30-x-22-5-in-_-76-2-x-57-2-cm_yk_023_hires.jpgKami_YZ_Endless Prayers IV_2015_Mixed media on paper_30 x 22.5 in _ 76.2 x 57.2 cm_YK_023_hiresY.Z. Kami, Endless Prayers IV (2015). Photography by Rob McKeever. Courtesy Gagosian Gallery and Leila Heller Gallery, Dubai.https://ambikarajgopal.co/wp-content/uploads/2016/03/kami_yz_untitled-hands-iii_2013_oil-on-linen_87-x-47-in-_-221-x-119-4-cm_yk_036_hires.jpgKami_YZ_Untitled (Hands) III_2013_Oil on linen_87 x 47 in _ 221 x 119.4 cm_YK_036_hiresY.Z. Kami, Untitled (Hands) III (2013). Photography by Rob McKeever. Courtesy Gagosian Gallery and Leila Heller Gallery, Dubai.https://ambikarajgopal.co/wp-content/uploads/2016/03/kami_yz_untitled_2011-2012_oil-on-linen_118-x-70-in-_-299-7-x-177-8-cm_yk_033_hires.jpgKami_YZ_Untitled_2011-2012_Oil on linen_118 x 70 in _ 299.7 x 177.8 cm_YK_033_hiresY.Z. Kami, Untitled (2011-2012). Photography by Rob McKeever. Courtesy Gagosian Gallery and Leila Heller Gallery, Dubai.https://ambikarajgopal.co/wp-content/uploads/2016/03/kami_yz_paul_2014_oil-on-linen_90-x-54-in-_-228-6-x-137-2-cm_yk_035_hires.jpgKami_YZ_Paul_2014_Oil on linen_90 x 54 in _ 228.6 x 137.2 cm_YK_035_hiresY.Z. Kami, Paul (2014). Photography by Rob McKeever. Courtesy Gagosian Gallery and Leila Heller Gallery, Dubai.https://ambikarajgopal.co/wp-content/uploads/2016/03/kami_yz_endless-prayers-v_2015_mixed-media-on-paper_30-x-22-5-in-_-76-2-x-57-2-cm_yk_024_hires.jpgKami_YZ_Endless Prayers V_2015_Mixed media on paper_30 x 22.5 in _ 76.2 x 57.2 cm_YK_024_hiresY.Z. Kami, Endless Prayers V (2015). Photography by Rob McKeever. Courtesy Gagosian Gallery and Leila Heller Gallery, Dubai.https://ambikarajgopal.co/wp-content/uploads/2016/03/kami_yz_endless-prayers-ix_2015_mixed-media-on-paper_62-5-x-49-in-_-158-8-x-124-5-cm_yk_028_hires.jpgKami_YZ_Endless Prayers IX_2015_Mixed media on paper_62.5 x 49 in _ 158.8 x 124.5 cm_YK_028_hiresY.Z. Kami, Endless Prayers (2015). Photography by Rob McKeever. Courtesy Gagosian Gallery and Leila Heller Gallery, Dubai.https://ambikarajgopal.co/wp-content/uploads/2016/03/kami_yz_white-dome-ii_2014_block-ink-and-acrylic-on-linen_90-x-99-in-_-228-6-x-251-5-cm_yk_013_hires.jpgKami_YZ_White Dome II_2014_Block ink and acrylic on linen_90 x 99 in _ 228.6 x 251.5 cm_YK_013_hiresY.Z. Kami, White Dome II (2014). Photography by Rob McKeever. Courtesy Gagosian Gallery and Leila Heller Gallery, Dubai.https://ambikarajgopal.co/wp-content/uploads/2016/03/domes-review-image-1024x805.jpgDomes-Review-Image-1024x805Y.Z. Kami, , Rumi, The Book of Shams e Tabrizi (In Memory of Mahin Tajadod) (2005). Photography by Rob McKeever. Courtesy Gagosian Gallery and Leila Heller Gallery, Dubai2016-03-31T13:01:05+00:00monthlyhttps://ambikarajgopal.co/2016/03/29/didem-pekun-of-dice-and-men/https://ambikarajgopal.co/wp-content/uploads/2016/03/dp_of_dice_and_men_still_03_864.jpgdp_of_dice_and_men_still_03_864DIDEM PEKÜN, Of Dice and Men, 2011– , two-channel video installation, still from HD video: 43 min. Courtesy Delfina Foundation, London.https://ambikarajgopal.co/wp-content/uploads/2016/03/dp_of_dice_and_men_still_02_864.jpgdp_of_dice_and_men_still_02_864DIDEM PEKÜN, Of Dice and Men, 2011– , two-channel video installation, still from HD video: 43 min. Courtesy Delfina Foundation, London. 2016-03-31T08:09:44+00:00monthlyhttps://ambikarajgopal.co/2016/03/19/crystal-method-swarovski-kim-jong-sook-elaine-yan-ling-ng/https://ambikarajgopal.co/wp-content/uploads/2016/03/swarovski-designers-of-the-future-elaine-yan-ling-ng-nadja-swarovski-rodman-primack-1.jpgSwarovski Designers of the Future Elaine Yan Ling Ng, Nadja Swarovski, Rodman Primack (1)Elaine Yan Ling Ng, ‘Sundew’ for Swarovski at Art Central, Hong Kong, 2016. Image courtesy the artist and Art Central.https://ambikarajgopal.co/wp-content/uploads/2016/03/elaine-yan-ling-ng-close-up-2.jpegElaine Yan Ling Ng close up (2)Elaine Yan Ling Ng, ‘Sundew’ for Swarovski at Art Central, Hong Kong, 2016. Image courtesy the artist and Art Central.https://ambikarajgopal.co/wp-content/uploads/2016/03/sook-ng_6.jpgSook-Ng_6Kim Jongsook, ‘Artificial Landscape – Iridescence 2 (부분)’, 2015, 140 × 140 cm (110호 정방), mixed media on canvas, made with Swarovski ® Elements. Image courtesy the artist | Provided by UNC Gallery, Seoul.https://ambikarajgopal.co/wp-content/uploads/2016/03/sook-ng_4.jpgSook-Ng_4Kim Jongsook, ‘Artificial Landscape – Topazed Topaz’, 2012, 130 x 130 cm mixed media on canvas, made with Swarovski ® Elements. Image courtesy the artist | Provided by UNC Gallery, Seoul.https://ambikarajgopal.co/wp-content/uploads/2016/03/sook-ng_5.jpgSook-Ng_5Kim Jongsook, ‘Artificial Landscape – White Material’, 2011, 140 x 140 cm (110호 정방), mixed media on canvas, made with Swarovski ® Elements. Image courtesy the artist | Provided by UNC Gallery, Seoul.https://ambikarajgopal.co/wp-content/uploads/2016/03/sook-ng_2.jpgSook-Ng_2Kim Jongsook, ‘Artificial Landscape – Neo-Geo Red’, 2013, 70 x 70 cm, mixed media on canvas, made with Swarovski ® Elements. Image courtesy the artist | Provided by UNC Gallery, Seoul.https://ambikarajgopal.co/wp-content/uploads/2016/03/sook-ng_1-1.jpgSook-Ng_1-1Kim Jongsook, ‘Artificial Landscape – White Drawing’, 2012, mixed media on canvas, made with Swarovski ® Elements, 90.9 x 116.8 cm. Image courtesy the artist | Provided by UNC Gallery, Seoul.https://ambikarajgopal.co/wp-content/uploads/2016/03/sook-ng_1.jpgSook-Ng_1Kim Jongsook, ‘Artificial Landscape – Indigo Drawing’, 2012, mixed media on canvas, made with Swarovski ® Elements, 90.9 x 116.8 cm. Image courtesy the artist | Provided by UNC Gallery, Seoul.https://ambikarajgopal.co/wp-content/uploads/2016/03/sook-ng_3.jpgSook-Ng_3Kim Jongsook, ‘Artificial Landscape – Geometry Pupple’, 2013, 70 x 70 cm, mixed media on canvas, made with Swarovski ® Elements. Image courtesy the artist | Provided by UNC Gallery, Seoul.https://ambikarajgopal.co/wp-content/uploads/2016/03/art-central-sundew-by-elaine-yan-ling-ng-for-swarovski_s.jpgArt-Central-Sundew-by-Elaine-Yan-Ling-Ng-for-Swarovski_SElaine Yan Ling Ng, ‘Sundew’ for Swarovski at Art Central, Hong Kong, 2016. Image courtesy the artist and Art Central.2016-03-19T15:03:32+00:00monthlyhttps://ambikarajgopal.co/2016/03/08/noh-suntag-dance-of-order-really-good-murder/https://ambikarajgopal.co/wp-content/uploads/2016/03/noh-suntag-red-house-i-north-korea-in-north-korea-13-2005-2.jpgNoh Suntag, Red House I North Korea in North Korea, #13, 2005-2https://ambikarajgopal.co/wp-content/uploads/2016/03/installation-view-first-floor-dance-of-order-at-43-inverness-street.jpgInstallation view, First Floor, Dance of Order at 43 Inverness StreetInstallation View. Image Courtesy: 43 Inverness Street.https://ambikarajgopal.co/wp-content/uploads/2016/03/in-search-of-lost-thermos-bottles-cal2701-2010.jpgIn search of lost thermos bottles #CAL2701, 2010NOH SUNTAG. In search of lost thermos bottles #CAL2701, 2010, 56 x 78 cm, archival pigment print on fine art paper. Courtesy the artist. https://ambikarajgopal.co/wp-content/uploads/2016/03/reallygood-murder-bik1901-2008.jpgreallyGood Murder #BIK1901, 2008NOH SUNTAG, Really Good, Murder #BIK1901, 2008, archival pigment print on fine art paper, 56 × 78 cm. Courtesy the artist. https://ambikarajgopal.co/wp-content/uploads/2016/03/noh-suntag-red-house-1-93-arirang-festival-may-day-stadium-in-pyongyang-2005.jpgNoh Suntag, Red House 1 #93, Arirang Festival, May Day Stadium in Pyongyang, 2005NOH SUNTAG. Red House I. North Korea in North Korea #93, 2005, 81 x 112 cm, archival pigment print on paper. Courtesy the artist.https://ambikarajgopal.co/wp-content/uploads/2016/03/noh-suntag-red-house-i-north-korea-in-north-korea-01-2005.jpgNoh Suntag, Red House I North Korea in North Korea, #01, 2005NOH SUNTAG, Red House I. North Korea in North Korea #1, 2005, archival pigment print on paper, 56 × 78 cm. Courtesy the artist. https://ambikarajgopal.co/wp-content/uploads/2016/03/state-of-emergency-41_2006.jpgState of Emergency 41_2006NOH SUNTAG, State of Emergency #41, 2006, archival pigment print on paper, 81 × 112 cm. Courtesy the artist.https://ambikarajgopal.co/wp-content/uploads/2016/03/state-of-emergency-3-2006.jpgState of emergency #3, 2006NOH SUNTAG. State of emergency #03, 2006, 56 x 78 cm, archival pigment print on paper. Courtesy the artist. https://ambikarajgopal.co/wp-content/uploads/2016/03/1-_state_of_emergency_41_2006_420.jpg1._state_of_emergency_41_2006_420NOH SUNTAG, State of Emergency #41, 2006, archival pigment print on paper, 81 × 112 cm. Courtesy the artist. 2016-03-08T09:27:54+00:00monthlyhttps://ambikarajgopal.co/2016/03/07/art-science-perception-michael-joo-radiohalo/https://ambikarajgopal.co/wp-content/uploads/2016/03/michael-joo-drwn-carunculatus-28-2015-courtesy-the-artist-and-blainsouthern-photo-peter-mallet.jpgMichael-Joo-DRWN-Carunculatus-28-2015-Courtesy-the-artist-and-BlainSouthern-Photo-Peter-MalletMichael Joo, ‘DRWN, Carunculatus (28)’, 2015, graphite impregnated urethane, dimensions variable. Image courtesy Blain|Southern.https://ambikarajgopal.co/wp-content/uploads/2016/03/michael-joo-prologue-montclair-danby-vein-cut-2014-2015-courtesy-the-artist-and-blainsouthern.jpgMichael-Joo-Prologue-Montclair-Danby-Vein-Cut-2014-2015-Courtesy-the-artist-and-BlainSouthernMichael Joo, ‘Prologue (Montclair Danby Vein Cut)’, 2014-2015, Danby Quarry marble, silver nitrate, steel, 304.8 x 302.9 x 63.5 cm. Image courtesy Blain|Southern.https://ambikarajgopal.co/wp-content/uploads/2016/03/michael-joo-prologue-montclair-danby-vein-cut-2014-2015-courtesy-the-artist-and-blainsouthern-1-e14570800948141.jpgMichael-Joo-Prologue-Montclair-Danby-Vein-Cut-2014-2015-Courtesy-the-artist-and-BlainSouthern-1-e1457080094814https://ambikarajgopal.co/wp-content/uploads/2016/03/michael-joo-untitled-take-2016-silver-nitrate-and-epoxy-ink-on-canvas-courtesy-the-artist-and-blainsouthern.jpgMichael-Joo-Untitled-Take-2016-Silver-nitrate-and-epoxy-ink-on-canvas-Courtesy-the-artist-and-BlainSouthernhttps://ambikarajgopal.co/wp-content/uploads/2016/03/michael-joo-untitled-to-sleep-2015-2016-silver-nitrate-and-epoxy-ink-on-canvas-courtesy-the-artist-and-blainsouthern-e1457080447364.jpgMichael-Joo-Untitled-To-Sleep-2015-2016-Silver-nitrate-and-epoxy-ink-on-canvas-Courtesy-the-artist-and-BlainSouthern-e1457080447364Michael Joo, ‘Untitled, To (Sleep)’, 2015-2016, silver nitrate and epoxy ink on canvas, 91.4 x 71.1 cm. Image courtesy Blain|Southern.https://ambikarajgopal.co/wp-content/uploads/2016/03/michael-joo-prologue-montclair-danby-vein-cut-2014-2015-courtesy-the-artist-and-blainsouthern-1-e1457080094814.jpgMichael-Joo-Prologue-Montclair-Danby-Vein-Cut-2014-2015-Courtesy-the-artist-and-BlainSouthern-1-e1457080094814Michael Joo, ‘Prologue (Montclair Danby Vein Cut)’, 2014-2015, Danby Quarry marble, silver nitrate, steel, 304.8 x 302.9 x 63.5 cm. Image courtesy Blain|Southern.https://ambikarajgopal.co/wp-content/uploads/2016/03/michael-joo-untitled-radiohalo-1-untitled-radiohalo-2-untitled-radiohalo-3-installation-view-2016-courtesy-the-artist-and-blainsouthern-photo-peter-mallet_s.jpgMichael-Joo-Untitled-Radiohalo-1-Untitled-Radiohalo-2-Untitled-Radiohalo-3-installation-view-2016-Courtesy-the-artist-and-BlainSouthern-Photo-Peter-Mallet_sMichael Joo, “Radiohalo”, 10 February – 9 April 2016, Blain|Southern, London, installation view. Image courtesy Blain|Southern.2016-03-07T09:42:40+00:00monthlyhttps://ambikarajgopal.co/2016/03/03/ittah-yoda-i-think-mango-you-say-salmon/https://ambikarajgopal.co/wp-content/uploads/2016/03/i-think-mango-you-say-salmon-installation-view-5.jpgI think mango you say salmon, installation view 5https://ambikarajgopal.co/wp-content/uploads/2016/03/i-think-mango-you-say-salmon-installation-view-2.jpgI think mango you say salmon, installation view 2Installation view. Courtesy Annka Kultys Gallery, London.https://ambikarajgopal.co/wp-content/uploads/2016/03/unnamed1.jpgunnamed1https://ambikarajgopal.co/wp-content/uploads/2016/03/unnamed.jpgunnamedCourtesy Annka Kultys Gallery, London.https://ambikarajgopal.co/wp-content/uploads/2016/03/23-saint-honore-polyester-fabric-carrara-marble-polyurethane-foam-colorant-inteference-pigment-100x126x36cm-2016.jpg23. Saint Honore, polyester fabric, carrara marble, polyurethane foam, colorant, inteference pigment, 100x126x36cm, 2016ITTAH YODA. Saint Honoré, 2016. polyester fabric, carrara marble, polyurethane foam, colorant, inteference pigment, 100x126x36cm. Courtesy Annka Kultys Gallery, London.https://ambikarajgopal.co/wp-content/uploads/2016/03/4-_ittah_yoda_010_marguerite__148x_3x1-5cm__2016_7_hr_864.jpg4._ittah_yoda_010_marguerite__148x_3x1.5cm__2016_7_hr_864ITTAH YODA, Marguerite, 2016, foam and silicone, 1.5 × 148 × 3 cm. Courtesy Annka Kultys Gallery, London. https://ambikarajgopal.co/wp-content/uploads/2016/03/3-_ittah_yoda_008_toyota__40x75x20cm__2016_2_hr_420.jpg3._ittah_yoda_008_toyota__40x75x20cm__2016_2_hr_420ITTAH YODA, Toyota, 2016, polyurethane foam, colorant and silicone, 40 × 75 × 20 cm. Courtesy Annka Kultys Gallery, London. https://ambikarajgopal.co/wp-content/uploads/2016/03/ittah_yoda_006_easy_one__260x183x17cm__2016__hr_864.jpgittah_yoda_006_easy_one__260x183x17cm__2016__hr_8642016-03-03T09:45:44+00:00monthlyhttps://ambikarajgopal.co/2016/02/12/sung-hwan-kim-drawing-from-a-play/https://ambikarajgopal.co/wp-content/uploads/2016/02/wg-skim-00196-300.jpgWG-SKIM-00196-300https://ambikarajgopal.co/wp-content/uploads/2016/02/wg-skim-00199-300.jpgWG-SKIM-00199-300https://ambikarajgopal.co/wp-content/uploads/2016/02/wg-skim-00210-300.jpgWG-SKIM-00210-300https://ambikarajgopal.co/wp-content/uploads/2016/02/wg-skim-00207-300.jpgWG-SKIM-00207-300https://ambikarajgopal.co/wp-content/uploads/2016/02/3-_wg-skim-00193-072_864.jpg3._wg-skim-00193-072_864SUNG HWAN KIM, Maudlin Hole and the Moon (Set), 2016, poster pen, pencil, masking tape and tape on paper, 43 × 56.5 × 5 cm. Courtesy Wilkinson Gallery, London. https://ambikarajgopal.co/wp-content/uploads/2016/02/2-_wg-skim-00198-072_420.jpg2._wg-skim-00198-072_420SUNG HWAN KIM, Stairs Through the Scrim, 2015, poster pen, pencil and tape on paper, 42.5 × 53 × 5 cm. Courtesy Wilkinson Gallery, London.https://ambikarajgopal.co/wp-content/uploads/2016/02/1-_wg-skim-00195-072_864.jpg1._wg-skim-00195-072_864SUNG HWAN KIM, Woman Head by the Water (Hand), 2015, poster pen, pencil, acrylic, acetate and tape on paper, 52 × 56.5 × 5 cm. Courtesy Wilkinson Gallery, London. 2016-02-12T16:59:39+00:00monthlyhttps://ambikarajgopal.co/2016/02/03/song-yige/https://ambikarajgopal.co/wp-content/uploads/2016/02/song-yige-backyard-garden-2015-oil-on-canvas-205-x-170-cm-courtesy-of-the-artist-and-marlborough.jpgSong-Yige-Backyard-Garden-2015-oil-on-canvas-205-x-170-cm-courtesy-of-the-artist-and-Marlboroughhttps://ambikarajgopal.co/wp-content/uploads/2016/02/song-yige-platonic-honeymoon-2015-oil-on-canvas-160-x-141-cm-courtesy-of-the-artist-and.jpgSong-Yige-Platonic-Honeymoon-2015-oil-on-canvas-160-x-141-cm-courtesy-of-the-artist-andSONG YIGE, Platonic Honeymoon, 2015, oil on canvas, 160 x 141 cm. Courtesy of the artist and Marlborough Fine Art, Londonhttps://ambikarajgopal.co/wp-content/uploads/2016/02/song-yige-43-matches-2015-oil-on-canvas-161-dot-5-x-128-cm-courtesy-of-the-artist-and.jpgSong-Yige-43-Matches-2015-oil-on-canvas-161-dot-5-x-128-cm-courtesy-of-the-artist-andSONG YIGE, 43 Matches, 2015, oil on canvas, 161.5 x 128 cM. Courtesy of the artist and Marlborough Fine Art, Londonhttps://ambikarajgopal.co/wp-content/uploads/2016/02/4-_song_yige__encounter__2012__oil_on_canvas_152_x_159_cm__courtesy_of_the_artist_and_marlborough_fine_art__london_346.jpg4._song_yige__encounter__2012__oil_on_canvas_152_x_159_cm__courtesy_of_the_artist_and_marlborough_fine_art__london_346SONG YIGE, Encounter, 2012, oil on canvas,152 × 159 cm. Courtesy the artist and Marlborough Fine Art, London.https://ambikarajgopal.co/wp-content/uploads/2016/02/3-_song_yige__male_star__2014__oil_on_canvas___43-5_x_53_cm__courtesy_of_the_artist_and_marlborough_fine_art__london_346.jpg3._song_yige__male_star__2014__oil_on_canvas___43.5_x_53_cm__courtesy_of_the_artist_and_marlborough_fine_art__london_346SONG YIGE, Male Star, 2014, oil on canvas, 53 x 43.5 cm. Courtesy the artist and Marlborough Fine Art, London.https://ambikarajgopal.co/wp-content/uploads/2016/02/song-yige-diamond-miner-2014-oil-on-canvas-110-x-147-cm-courtesy-of-the-artist-and-marlborough.jpgSong-Yige-Diamond-Miner-2014-oil-on-canvas-110-x-147-cm-courtesy-of-the-artist-and-MarlboroughSONG YIGE, Diamond Miner, 2014, oil on canvas, 110 x 147 cm. Courtesy the artist and Marlborough Fine Art, London.https://ambikarajgopal.co/wp-content/uploads/2016/02/2-_song_yige__her_hands__2015__oil_on_canvas__96_x_97_cm__courtesy_of_the_artist_and_marlborough_fine_art__london_346.jpg2._song_yige__her_hands__2015__oil_on_canvas__96_x_97_cm__courtesy_of_the_artist_and_marlborough_fine_art__london_346SONG YIGE, Her Hands, 2015, oil on canvas, 96 × 97 cm. Courtesy the artist and Marlborough Fine Art, London.https://ambikarajgopal.co/wp-content/uploads/2016/02/1-song-yige_crop_864.jpg1.-song-yige_crop_864SONG YIGE, Dance Party, 2015, oil on canvas, 203 × 180 cm. Courtesy the artist and Marlborough Fine Art, London. 2016-02-03T13:29:14+00:00monthlyhttps://ambikarajgopal.co/2016/01/22/jane-lee-freely-freely/https://ambikarajgopal.co/wp-content/uploads/2016/01/jl15e280932759_01.jpgphotography by Katariina Traeskelin STPIphotography by Katariina Traeskelin STPIhttps://ambikarajgopal.co/wp-content/uploads/2016/01/jl15e280932796_02_s.jpgphotography by Katariina Traeskelin STPIJane Lee, ‘AWAKENING’ (Detail), 2015. In “Freely, Freely” by Jane Lee. Produced at STPI – Creative Workshop & Gallery, Singapore © STPI / Jane lee. Photo: Katariina Traeskelin STPI.https://ambikarajgopal.co/wp-content/uploads/2016/01/jl15e280932760_04_s.jpgphotography by Katariina Traeskelin STPIJane Lee, ‘JUST A MOMENT I, I’ (Detail), 2015. In “Freely, Freely” by Jane Lee. Produced at STPI – Creative Workshop & Gallery, Singapore © STPI / Jane lee. Photo: Katariina Traeskelin STPI.https://ambikarajgopal.co/wp-content/uploads/2016/01/jl15e280932767_02_s.jpgphotography by Katariina Traeskelin STPIJane Lee, ‘SET ME FREE VII’ (Detail), 2015. In “Freely, Freely” by Jane Lee. Produced at STPI – Creative Workshop & Gallery, Singapore © STPI / Jane lee. Photo: Katariina Traeskelin STPI.https://ambikarajgopal.co/wp-content/uploads/2016/01/jl15e280932766_03_s1.jpgphotography by Katariina Traeskelin STPIphotography by Katariina Traeskelin STPIhttps://ambikarajgopal.co/wp-content/uploads/2016/01/jl15e280932754_02_s.jpgphotography by Katariina Traeskelin STPIJane Lee, ‘PLAYING I, I’ (Detail), 2015. In “Freely, Freely” by Jane Lee. Produced at STPI – Creative Workshop & Gallery, Singapore © STPI / Jane lee. Photo: Katariina Traeskelin STPI.https://ambikarajgopal.co/wp-content/uploads/2016/01/jl15e280932794_03_s.jpgphotography by Katariina Traeskelin STPIJane Lee, ‘CHANCES’ (Detail), 2015. In “Freely, Freely” by Jane Lee. Produced at STPI – Creative Workshop & Gallery, Singapore © STPI / Jane lee. Photo: Katariina Traeskelin STPI.https://ambikarajgopal.co/wp-content/uploads/2016/01/jl15e280932778_01_s.jpgphotography by Katariina Traeskelin STPIJane Lee, ‘CAGED BIRDS I’, 2015. In “Freely, Freely” by Jane Lee. Produced at STPI – Creative Workshop & Gallery, Singapore © STPI / Jane lee. Photo: Katariina Traeskelin STPI.https://ambikarajgopal.co/wp-content/uploads/2016/01/jl15e280932785_01_s.jpgphotography by Katariina Traeskelin STPIJane Lee, ‘WING VI’, 2015. In “Freely, Freely” by Jane Lee. Produced at STPI – Creative Workshop & Gallery, Singapore © STPI / Jane lee. Photo: Katariina Traeskelin STPI.https://ambikarajgopal.co/wp-content/uploads/2016/01/jl15e280932768_06_s.jpgphotography by Katariina Traeskelin STPIJane Lee, ‘COILING VI’ (Detail), 2015. In “Freely, Freely” by Jane Lee. Produced at STPI – Creative Workshop & Gallery, Singapore © STPI / Jane lee. Photo: Katariina Traeskelin STPI.2016-02-02T11:32:54+00:00monthlyhttps://ambikarajgopal.co/2016/01/19/shigeo-anzai-index-i/https://ambikarajgopal.co/wp-content/uploads/2016/01/img_08442104.jpgIMG_08442104https://ambikarajgopal.co/wp-content/uploads/2016/01/wr_sa_printscans_10.jpgwr_sa_printscans_10https://ambikarajgopal.co/wp-content/uploads/2016/01/wr_sa_printscans_3.jpgwr_sa_printscans_3Shigeo Anzaï, ‘Richard Serra, The 10th Tokyo Biennale ’70 – Between Man and Matter, Tokyo Metropolitan Art Museum. May, 1970′, Baryta-coated silver print, 18.2 x 27.4 cm. Image courtesy the artist and White Rainbow.https://ambikarajgopal.co/wp-content/uploads/2016/01/wr_sa_printscans_8-e1453139842759.jpgwr_sa_printscans_8-e1453139842759Shigeo Anzaï, ‘Hans Haacke, The 10th Tokyo Biennale ’70 – Between Man and Matter, Tokyo Metropolitan Art Museum. May, 1970′, resin-coated silver print, 23.5 x 22.6 cm, edition 2 of 15. Image courtesy the artist and White Rainbow.https://ambikarajgopal.co/wp-content/uploads/2016/01/img_07732081-e1453207533726.jpgIMG_07732081-e1453207533726Installation view of Shigeo Anzaï’s “Index I”, 25 November 2015 – 23 January 2016, White Rainbow, London. Image courtesy White Rainbow.https://ambikarajgopal.co/wp-content/uploads/2016/01/wr_sa_printscans_18-e1453209416462.jpgwr_sa_printscans_18-e1453209416462Shigeo Anzai, ‘Kishio Suga, Gallery 16, Kyoto. July 14, 1974′, resin-coated silver print, 27 x 16.5 cm, unique. Image courtesy the artist and White Rainbow.https://ambikarajgopal.co/wp-content/uploads/2016/01/wr_sa_printscans_5-e1453139691565.jpgwr_sa_printscans_5-e1453139691565Shigeo Anzaï, ‘Jiro Takamatsu, The 10th Tokyo Biennale ’70 – Between Man and Matter, Tokyo Metropolitan Art Museum. May, 1970′, resin-coated silver print, 22.4 x 22.5 cm, edition 2 of 15. Image courtesy the artist and White Rainbow.https://ambikarajgopal.co/wp-content/uploads/2016/01/wr_sa_printscans_6-e1453139775324.jpgwr_sa_printscans_6-e1453139775324Shigeo Anzaï, ‘Jannis Kounellis, The 10th Tokyo Biennale ’70 – Between Man and Matter, Tokyo Metropolitan Art Museum. May, 1970′, two resin-coated silver print Upper image (here above) 17.6 x 26.2 cm; lower image: 23.1 x 22.6 cm. Image courtesy the artist and White Rainbow.2016-01-19T23:34:12+00:00monthlyhttps://ambikarajgopal.co/2016/01/13/wasak-filipino-art-today/https://ambikarajgopal.co/wp-content/uploads/2016/01/fabr0003_the-cold-earth-slept-below-above-the-cold-sky-shone_2015-e1452623737914.jpgFABR0003_The-cold-Earth-slept-below-above-the-cold-sky-shone_2015-e1452623737914Ian Fabro, ‘The cold Earth slept below, above the cold sky shone’, 2015, ink on paper collage and staples mounted on wood, framed 238 x 105 cm. Image courtesy the artist and ARNDT. 213 × 91 cmhttps://ambikarajgopal.co/wp-content/uploads/2016/01/garc0006_gateway-2015-e1452623611706.jpgGARC0006_Gateway-2015-e1452623611706Nona Garcia, ‘Gateway’, 2015, oil on canvas, 182.8 x 243.8 cm. Image courtesy the artist and ARNDT.https://ambikarajgopal.co/wp-content/uploads/2016/01/cruz0065_1_s.jpgGalerie ArndtJigger Cruz, ‘Not yet titled’, 2015, oil on wood, 118 x 39 x 42 cm. Image courtesy the artist and ARNDT.https://ambikarajgopal.co/wp-content/uploads/2016/01/ocam0003_s.jpgGalerie Arndthttps://ambikarajgopal.co/wp-content/uploads/2016/01/mcru0003_stains-and-spots_2015_s.jpgMCRU0003_Stains-and-Spots_2015_sMarina Cruz, ‘Stains and Spots’, 2015, oil on canvas, 157 x 132 cm. Image courtesy the artist and ARNDT.https://ambikarajgopal.co/wp-content/uploads/2016/01/rold0010_mestiza-2_2015_s.jpgROLD0010_Mestiza-2_2015_sNorberto Roldan, ‘Mestiza (2)’, 2015, oil and acrylic on canvas, 213 x 152 each panel / 213 x 304 cm, diptych. Image courtesy the artist and ARNDT.https://ambikarajgopal.co/wp-content/uploads/2016/01/ream0003_s.jpgGalerie ArndtAlwin Reamillo, ‘Ocho+Ocho (FEM)’, 2015, mixed media on disused cable drums + found objects, 111 x 69 x 21.5 cm. Image courtesy the artist and ARNDT.https://ambikarajgopal.co/wp-content/uploads/2016/01/caba0004_zeancabangis_it-took-us-so-long-to-get-here-ii_2x3ft_acrylic-and-emulsion-transfer-on-canvas_2015-kopie_s.jpgCABA0004_ZeanCabangis_it-took-us-so-long-to-get-here-II_2x3ft_acrylic-and-emulsion-transfer-on-canvas_2015-Kopie_sZean Cabangis, ‘It Took Us So Long To Get Here II’, 2015, acrylic and emulsion transfer on canvas, 60.96 x 91.44 cm. Image courtesy the artist and ARNDT.https://ambikarajgopal.co/wp-content/uploads/2016/01/cord0001_s.jpgGalerie Arndthttps://ambikarajgopal.co/wp-content/uploads/2016/01/wasak_installation_fasanenstrasse_9-e1452621152301.jpgGalerie CarlierGebauer“WASAK! Filipino Art Today”, 5 December 2015 – 30 January 2016, installation view at ARNDT ART AGENCY A3 in Fasanenstraße 28, Berlin. Image courtesy ARNDT.2016-01-13T18:18:26+00:00monthlyhttps://ambikarajgopal.co/2016/01/03/indian-artist-nalini-malani-talks-myth-metaphor-and-women/https://ambikarajgopal.co/wp-content/uploads/2016/01/01116.jpg01116Nalini Malani: Listening to the Shades No. 1 - 42: 2008. Image Credit: http://burgercollection.com/welcome/artists/artist/contact1439.Malani-Nalini.htmlhttps://ambikarajgopal.co/wp-content/uploads/2016/01/democracy-edition-2010.jpgdemocracy-edition-2010Nalini Malani, Memory, 2009. Image Credit: http://cms.horus.be/site/Page.asp?docid=31349&langue=ENhttps://ambikarajgopal.co/wp-content/uploads/2016/01/nalini_malani-1.jpgnalini_malani-1Nalini Malani, Beached Whale, 1995. Image Credit: http://www.contemporaryindianart.com/nalini_malaini.htmhttps://ambikarajgopal.co/wp-content/uploads/2016/01/malani-remembering-toba-tek-singh-four-channel-and-12-monitor-play-1998.jpgMalani-Remembering-Toba-Tek-Singh-four-channel-and-12-monitor-play-1998Remembering Toba Tek Singh, 1998 Images courtesy: Vadehra Art Galleryhttps://ambikarajgopal.co/wp-content/uploads/2016/01/nalini_malani_tables-have-turned-1024x728.jpgNalini_Malani_Tables-Have-Turned-1024x728Nalini Malani, ‘The Tables have Turned’, 2008, shadow play with 32 metal turntables, 32 Mylar reverse paintings and four lamps, dimensions variable. Image courtesy the artist and Vadehra Art Gallery.https://ambikarajgopal.co/wp-content/uploads/2016/01/nalini_malani_connections-later-the-same-day-509x1024.jpgNalini_Malani_Connections-Later-the-Same-Day-509x1024Nalini Malani, ‘Connections: Memory Record/Erase’, 2013, reverse painted acrylic, ink and enamel on acrylic sheet on specially printed Hahnemuhle bamboo paper, 60 x 30 in. Image courtesy the artist and Vadehra Art Gallery.https://ambikarajgopal.co/wp-content/uploads/2016/01/nalini_malani_in-search-of-vanished-blood-1024x767.jpgNalini_Malani_In-Search-of-Vanished-Blood-1024x767Nalini Malani, ‘In Search of Vanished Blood’, 2012, site-specific, single channel video play, sound, duration: 11 min. Image courtesy the artist and Vadehra Art Gallery.https://ambikarajgopal.co/wp-content/uploads/2016/01/nalini_malani_portrait-1024x649.jpgNalini_Malani_Portrait-1024x649Nalini Malani, portrait. Image courtesy the artist and Vadehra Art Gallery.https://ambikarajgopal.co/wp-content/uploads/2016/01/nalini_malani_penelope-1024x767.jpgNalini_Malani_Penelope-1024x767Nalini Malani, ‘Penelope’, 2011, video sketch, video installation, duration: 1 min 6 sec. Image courtesy the artist and Vadehra Art Gallery.2016-01-08T12:37:21+00:00monthlyhttps://ambikarajgopal.co/2016/01/06/artist-profile-munem-wasif/https://ambikarajgopal.co/wp-content/uploads/2016/01/typograph_mw.jpgTypograph_MWMunem Wasif, ‘Typograph-Rastro Bhasha Bangla Chai (We Demand Bangla as State Language)’, object. Image courtesy the artist, Agence Vu and Le 247, Paris.https://ambikarajgopal.co/wp-content/uploads/2016/01/video_mw.pngVideo_MWMunem Wasif, 2015, still from three-channel video, 21:37 min, black and white, stereo. Image courtesy the artist and Agence Vu.https://ambikarajgopal.co/wp-content/uploads/2016/01/ear-of-my-son_mw-e1451916871841.jpgEar-of-my-Son_MW-e1451916871841Munem Wasif, ‘Ear of My Son’, 2013, object. Image courtesy the artist, Agence Vu and Le 247, Paris.https://ambikarajgopal.co/wp-content/uploads/2016/01/munemwasif_08.jpgMunemWasif_08Munem Wasif, from the series ‘Belonging, Old Dhaka’, 2013. Image courtesy the artist and Agence Vu.https://ambikarajgopal.co/wp-content/uploads/2016/01/islam_wasif001-e1451917534397.jpgIn god we trustMunem Wasif, from the series ‘In God We Trust’, 2010, site-specific installation, variable sizes, printed on Hahnemühle baryta paper. Image courtesy the artist and Agence Vu.https://ambikarajgopal.co/wp-content/uploads/2016/01/islam_wasif005-e1451918003312.jpgIn god we trustMunem Wasif, from the series ‘In God We Trust’, 2010, site-specific installation, variable sizes, printed on Hahnemühle baryta paper. Image courtesythe artist and Agence Vu.https://ambikarajgopal.co/wp-content/uploads/2016/01/satnding-book09.jpgSatnding-book09Bangladesh, Standing on the Edge, 2008, Munem Wasif. Image Credit: http://www.munemwasif.com/bangladesh-standing-on-the-edge-2/https://ambikarajgopal.co/wp-content/uploads/2016/01/islam_wasif002.jpgIn god we trustMunem Wasif, from the series ‘In God We Trust’, 2010, site-specific installation, variable sizes, printed on Hahnemühle baryta paper. Image courtesy the artist and Agence Vu.https://ambikarajgopal.co/wp-content/uploads/2016/01/islam_wasif004-e1451917914734.jpgIn god we trustMunem Wasif, from the series ‘In God We Trust’, 2010, site-specific installation, variable sizes, printed on Hahnemühle baryta paper. Image courtesy the artist and Agence Vu.https://ambikarajgopal.co/wp-content/uploads/2016/01/islam_wasif003-e1451916780905.jpgIn god we trustMunem Wasif, from the series ‘In God We Trust’, 2010, site-specific installation, variable sizes, printed on Hahnemühle baryta paper. Image courtesy the artist and Agence Vu.2016-01-07T21:30:20+00:00monthlyhttps://ambikarajgopal.co/2016/01/01/two-artists-trapped-in-one-soul/https://ambikarajgopal.co/wp-content/uploads/2016/01/hit.jpghitLoops of Relation - to Hit, 2013, Nelmarie du Preez. Image Credit: Nelmarie du Preez.https://ambikarajgopal.co/wp-content/uploads/2016/01/buried.jpgburiedBuried!, 2011, Nelmarie du Preez. Image Credit: Nelmarie du Preez.https://ambikarajgopal.co/wp-content/uploads/2016/01/voortrekkers.jpgvoortrekkersVoortrekkers, 2012, Nelmarie du Preez. Image Credit: Nelmarie du Preez.https://ambikarajgopal.co/wp-content/uploads/2016/01/mini-drama-04-watch-the-dress.jpgMini-drama #04 - Watch the Dress!!Shooting the Bride, Mini-drama # 4 Watch the Dress!, 2012, Nelmarie du Preez. Image Credit: Nelmarie du Preez.https://ambikarajgopal.co/wp-content/uploads/2016/01/nelmarie-du-preez-servo-rhythm.jpgNelmarie du Preez - Servo RhythmLoops of Relation - to Stab, 2013, Nelmarie du Preez. Image Credit: Nelmarie du Preez.https://ambikarajgopal.co/wp-content/uploads/2016/01/mini-drama-05-i-cant-breathe.jpgMini-drama #05 - I Can't Breathe!Shooting the Bride, Mini-drama # 5 I can't Breathe!, 2012, Nelmarie du Preez. Image Credit: Nelmarie du Preez.2016-01-06T14:49:11+00:00monthlyhttps://ambikarajgopal.co/2016/01/03/epic-ecologies-pakistani-american-artist-duo-iftikhar-and-elizabeth-dadi-in-mumbai/https://ambikarajgopal.co/wp-content/uploads/2016/01/mokran_s.jpgMokran_sIftikhar and Elizabeth Dadi, “Efflorescence”, ‘Mokran’, 2013, neon, bulbs, aluminium, mixed media, 122 x 122 x 30.5 cm, edition of 3 + 1APhttps://ambikarajgopal.co/wp-content/uploads/2016/01/6-astonishment-12-5x10-300dpi_s.jpg6-astonishment-12.5x10-300dpi_sIftikhar and Elizabeth Dadi, “Urdu Film Series”, ‘Astonishment’, 2009, Diasec, C-Print, 50.8 x 63.5 cm, edition of 5 + 1AP. Image courtesy the artists and Jhaveri Contemporary.https://ambikarajgopal.co/wp-content/uploads/2016/01/cocoxochitl_s.jpgCocoxochitl_sIftikhar and Elizabeth Dadi, “Efflorescence”, ‘ Cocoxochitl’, 2013, neon, bulbs, aluminium, mixed media, 122 x 122 x 30.5 cm, edition of 3 + 1AP. Image courtesy the artists and Jhaveri Contemporary.https://ambikarajgopal.co/wp-content/uploads/2016/01/empress-3000x3000pixel_s.jpgempress-3000x3000pixel_sIftikhar and Elizabeth Dadi, “They Made History”, ‘Empress of China’, 1999 – 2010s, metal, plexiglass, LED, Duratrans prints, circular light box , 42.75 cm diameter, edition of 5. Image courtesy the artists and Jhaveri Contemporary.https://ambikarajgopal.co/wp-content/uploads/2016/01/2-anticipation-12-5x10-300dpi_s.jpg2-anticipation-12.5x10-300dpi_sIftikhar and Elizabeth Dadi, “Urdu Film Series”, ‘Anticipation’, 2009, Diasec, C-Print, 50.8 x 63.5 cm, edition of 5 + 1AP. Image courtesy the artist and Jhaveri Contemporary.https://ambikarajgopal.co/wp-content/uploads/2016/01/1-lust-12-5x10-300dpi_s.jpg1-lust-12.5x10-300dpi_sIftikhar and Elizabeth Dadi, “Urdu Film Series”, ‘Lust’, 2009, Diasec, C-Print, 50.8 x 63.5 cm, edition of 5 + 1AP. Image courtesy the artists and Jhaveri Contemporary.2016-01-05T02:10:43+00:00monthlyhttps://ambikarajgopal.co/2016/01/03/contemporary-asian-art-in-london-art-radar-guide/https://ambikarajgopal.co/wp-content/uploads/2016/01/aicon_atul-bhalla-install-09_420.jpgaicon_atul-bhalla-install-09_420Installation view of ATUL BHALLA’s “…within/without…” at Aicon Gallery, London, 2008. Courtesy Aicon Gallery, London/New York. Image Credit: http://artasiapacific.com/Magazine/60/AtulBhallahttps://ambikarajgopal.co/wp-content/uploads/2016/01/christies_1.jpgchristies_1Christie's, King Street. Image Credit: http://www.rclighting.com/projects/galleries-museumshttps://ambikarajgopal.co/wp-content/uploads/2016/01/1255611844-frieze2008.jpg1255611844-frieze2008Frieze Art Fair in Regents Park, London, UK. Photo by Linda Nylind courtesy of Frieze. Image Credit: thelmagazine.com.https://ambikarajgopal.co/wp-content/uploads/2016/01/14013753682_700f76e432_b.jpg14013753682_700f76e432_bStreet Art in Shoreditch. Image Credit: http://www.robschofieldphotography.com/?p=1794https://ambikarajgopal.co/wp-content/uploads/2016/01/tate-modern-800.jpgtate-modern-800Façade of Tate Modern. Image Credit: http://www.betterbankside.co.uk/businesses/tate-modernhttps://ambikarajgopal.co/wp-content/uploads/2016/01/ai_weiwei_tate_modern_3_m.jpgAi_Weiwei_Tate_Modern_3_mThe Unilever Series: Ai Weiwei: Sunflower Seeds, 12 October 2010 to 2 May 2011, Tate Modern, London.2016-01-04T22:47:53+00:00monthlyhttps://ambikarajgopal.co/2016/01/03/4-pakistani-artists-making-art-out-of-violence/https://ambikarajgopal.co/wp-content/uploads/2016/01/10_10_qureshi02.jpg10_10_qureshi02Bleed, 2013, Imran Qureshi. Image Credit: Photo: Daisy Loewl. © Imran Qureshi.https://ambikarajgopal.co/wp-content/uploads/2016/01/oj8a3594.jpgOJ8A3594And They Still Seek the Traces of Blood, 2014, Imran Qureshi. Image Credit: http://broadmuseum.msu.edu/exhibitions/imran-qureshi-god-small-thingshttps://ambikarajgopal.co/wp-content/uploads/2016/01/abdullah_syed_rug-of-drones-e1386927959825.jpgAbdullah_Syed_Rug-of-drones-e1386927959825Abdullah M. I. Syed, ‘Rug of Drones’, 2011, installation from “The Rising Tide” at Mohatta Palace Museum. Image courtesy the artist and Al Jazeera.https://ambikarajgopal.co/wp-content/uploads/2016/01/rashid_rana_red-carpet.jpgRashid_Rana_red-carpetRashid Rana, ‘Red Carpet-1′, 
2007, C-print on DIASEC, 241.3 x 317.5 cm, 
edition 1/5. 
Collection of Pallak Seth
Image. Image courtesy Gallery Chemould and Chattertjee & Lal, Mumbai.https://ambikarajgopal.co/wp-content/uploads/2016/01/rashid_rana_red-carpet-detail.jpgRashid_Rana_red-carpet-detailRashid Rana, ‘Red Carpet-1′, 
2007
, C-print on DIASEC
, 241.3 x 317.5 cm, edition 1/5. Collection of Pallak Seth
Image. Image courtesy of Gallery Chemould and Chattertjee & Lal, Mumbai. https://ambikarajgopal.co/wp-content/uploads/2016/01/bani_abidi_security-barriers-type-g.jpgBani_Abidi_security-barriers-type-gBani Abidi, ‘Security Barrier Type G – Traffic Police, Karachi’, 2008, inkjet print, 28 x 44 cm. Image courtesy the artist.https://ambikarajgopal.co/wp-content/uploads/2016/01/bani_abidi_security-barriers-type-a1.jpgBani_Abidi_security-barriers-type-aBani Abidi, ‘Security Barrier Type A – Iranian Embassy, Shahrah-e-Iran, Clifton, Karachi’, 2008, inkjet print, 28 x 44 cm. Image courtesy the artist.https://ambikarajgopal.co/wp-content/uploads/2016/01/bani_abidi_security-barriers-type-a.jpgBani_Abidi_security-barriers-type-aBani Abidi, ‘Security Barrier Type A – Iranian Embassy, Shahrah-e-Iran, Clifton, Karachi’, 2008, inkjet print, 28 x 44 cm. Image courtesy the artist.https://ambikarajgopal.co/wp-content/uploads/2016/01/imran_qureshi_roofgarden_commission_met_ny_artobserved-768x1024.jpgImran_Qureshi_roofgarden_commission_MET_NY_ArtObserved-768x1024Imran Qureshi, “The Roof Garden Commission” (2013) at the Metropolitan Museum of Art, New York. Image courtesy Art Observed.2016-01-04T19:37:51+00:00monthlyhttps://ambikarajgopal.co/2016/01/03/adel-abdessemeds-controversial-lage-dor-in-qatar/https://ambikarajgopal.co/wp-content/uploads/2016/01/abdessemed_10_viewers.jpgAbdessemed_10_ViewersViewers at the ‘L’âge d’or’ exhibition opening. Image courtesy Mathaf: Arab Museum of Modern Art.https://ambikarajgopal.co/wp-content/uploads/2016/01/zidane-par-adel-abdessemed.jpgZidane-par-Adel-AbdessemedCoup de tête, 2011-2012, Adel Abdessemed. Image Credit: http://www.tuxboard.com/photos/2012/09/Zidane-par-Adel-Abdessemed.jpeghttps://ambikarajgopal.co/wp-content/uploads/2016/01/abdessemed_3_soldatenlr2.jpgAbdessemed_3_SoldatenLR2Adel Abdessemed, ‘Soldaten’, 2013 
Series of drawings
 charcoal on paper
 184 x 130 cm each.
 Photo by Marc Domage.
 Image courtesy the artist and David Zwirner, New York/London © Adel Abdessemed, ADAGP, Paris 2013.https://ambikarajgopal.co/wp-content/uploads/2016/01/abdessemed_5_ayac3aflr1.jpgAbdessemed_5_AyaÏLR1Adel Abdessemed, ‘Ayaï’, 2013, 
video still
. Image courtesy the artist and David Zwirner, New York/London © Adel Abdessemed, ADAGP, Paris 2013.https://ambikarajgopal.co/wp-content/uploads/2016/01/abdessemed_1_lage-dor.jpgAbdessemed_1_Lage-dorAdel Abdessemed, ‘L’âge d’or’, 2013, 
gold plated brass, 
113 x 188 x 4.5 cm
. Photo by Marc Domage, Paris
. Image courtesy the artist and David Zwirner, New York/London © Adel Abdessemed, ADAGP, Paris 2013.https://ambikarajgopal.co/wp-content/uploads/2016/01/abdessemed_2_levaseabominablelr1.jpgAbdessemed_2_LeVaseabominableLR1Adel Abdessemed, ‘Le Vase abominable’, 2013, 
brass vase on mixed media base
, 550 x 200 x 200 cm. 
Photo by Kenneth Taasan, Adabisc Qatar
. Image courtesy the artist and David Zwirner, New York/London © Adel Abdessemed, ADAGP, Paris 2013.2016-01-04T19:13:09+00:00monthlyhttps://ambikarajgopal.co/2016/01/03/indias-10-best-contemporary-photographers-you-should-know/https://ambikarajgopal.co/wp-content/uploads/2016/01/ketaki1.jpgketakiKetaki Sheth, A Certain Grace The Sidi: Indians of African Descent. Image Credit: http://www.ngmaindia.gov.in/pdf/ketaki_invite.pdfhttps://ambikarajgopal.co/wp-content/uploads/2016/01/morphine_004.jpgTime is the mercy of EternityTime is the Mercy of Eternity, Pablo Bartholomew. Image Credit: Pablo Bartholomew/Netphotograph.comhttps://ambikarajgopal.co/wp-content/uploads/2016/01/betweenthelines3.jpgbetweenthelines3Laxmi Series, 2004- ongoing, Anita Khemka. Image Credit: http://www.photoink.net/artist/index/artist_id/109https://ambikarajgopal.co/wp-content/uploads/2016/01/par233023.jpgPAR233023Bhopal Gas Tragedy, 2001, Raghu Rai. Image Credit: http://www.magnumphotos.com/C.aspx?VP3=CMS3&VF=MAGO31_10_VForm&ERID=24KL535PGFhttps://ambikarajgopal.co/wp-content/uploads/2016/01/bharat-sikka_web31.jpgBharat-Sikka_web31Bharat Sikka, 2013. Image Credit: Bharat Sikka and http://www.emptykingdom.com/featured/bharat-sikka-revisit-2-of-2/attachment/bharat-sikka_web3-3/https://ambikarajgopal.co/wp-content/uploads/2016/01/dalai-lama.jpgH9605-CH06-PG0148-RThe Dalai Lama in ceremonial dress enters India through a high mountain pass. He is followed by the Panchen Lama, Sikkim, India; 1956 Gelatin Silver Print From the exhibition: Candid: The Lens and Life of Homai Vyarawalla Collection: Alkazi Collection of Photography Image Courtesy: Rubin Museum of Art, New Yorkhttps://ambikarajgopal.co/wp-content/uploads/2016/01/unnamed.jpgOLYMPUS DIGITAL CAMERAChandan Gomes. Image Credit: Chandan Gomeshttps://ambikarajgopal.co/wp-content/uploads/2016/01/ketaki.jpgketakiKetaki Sheth, A Certain Grace The Sidi: Indians of African Descent. Image Credit: http://www.ngmaindia.gov.in/pdf/ketaki_invite.pdfhttps://ambikarajgopal.co/wp-content/uploads/2016/01/01.jpg01Longing Series, Prabuddha Dasgupta. Image Credit: http://www.prabuddhadasgupta.com/personal/longing.htmlhttps://ambikarajgopal.co/wp-content/uploads/2016/01/sooni-taraporevala.jpgSooni-TaraporevalaParsi Series, 1980, Sooni Taraporewala. Image Credit:http://le-buffet-de-la-gare.over-blog.fr/article-parsis-71064922.html2016-05-01T15:39:26+00:00monthlyhttps://ambikarajgopal.co/2016/01/03/ugandas-top-10-contemporary-artists-and-where-to-find-them/https://ambikarajgopal.co/wp-content/uploads/2016/01/lemaire-was-kl-1020x1024.jpgLemaire-Was-kl-1020x1024Volendam, 1947, Henk Jonker. Image Credit: http://fotofestivalnaarden.nl/fotografen/maria-austria-instituut/https://ambikarajgopal.co/wp-content/uploads/2016/01/young-girlfriend-ronald-kerango.jpgyoung-girlfriend-ronald-kerangoYoung Girlfriend, Ronald Kerango. Image Credit: http://fineartamerica.com/profiles/ronald-kerango.htmlhttps://ambikarajgopal.co/wp-content/uploads/2016/01/012_mabarti_tindi.jpg012_mabarti_tindiMabarti, 2011, Ronnie Chris Tindi. Image Credit: http://startjournal.org/2011/08/taking-art-back-to-communities-the-mabarti-street-art-project/https://ambikarajgopal.co/wp-content/uploads/2016/01/tumblr_n7m9ur9ovg1rfwrj8o4_1280.jpgtumblr_n7m9ur9ovg1rfwrj8o4_1280Eria Nsubuga Sane, Arrogance. Image Credit: http://africanartagenda.tumblr.com/post/89955024215/eria-sane-nsubuga-country-uganda-style https://ambikarajgopal.co/wp-content/uploads/2016/01/a3fc0258d19905dc6422b8c0715ced2a_400x400.jpga3fc0258d19905dc6422b8c0715ced2a_400x400Portrait of the Artist. Image Credit: https://twitter.com/kalungikabuyehttps://ambikarajgopal.co/wp-content/uploads/2016/01/one-weave-at-a-time-100cm-x-100cm-acrylics-on-canvas-1000.jpgone-weave-at-a-time-100cm-x-100cm-acrylics-on-canvas..1000One weave at a time, Paul Ndema. Image Credit: http://www.africanartbeat.com/artists/paul-ndema/https://ambikarajgopal.co/wp-content/uploads/2016/01/kitenge-background-1-ronex-ahimbisibwe.jpgkitenge-background-1-ronex-ahimbisibweKitenge Background, Ronex Ahimbisibwe. Image Credit: http://fineartamerica.com/profiles/ronex-ahimbisibwe.html?tab=artworkhttps://ambikarajgopal.co/wp-content/uploads/2016/01/art-ele-blue-wasswa-donald-augustine-uganda.jpgart-ele-blue-wasswa-donald-augustine-ugandaHerd on Ice, Wasswa Donald. Image Credit: https://anakegoodall.wordpress.com/2012/12/27/herd-on-ice-wasswa-donald-augustine/https://ambikarajgopal.co/wp-content/uploads/2016/01/daudi-karungi-3188-63972-1-zoom1.jpgdaudi-karungi-3188-63972-1-zoomBalance Series 9, 2009, Daudi Karungi. Image Credit: https://www.jumia.ug/daudi-karungi-decorative-canvas-wall-art-balance-series-9-27936.htmlhttps://ambikarajgopal.co/wp-content/uploads/2016/01/daudi-karungi-3188-63972-1-zoom.jpgdaudi-karungi-3188-63972-1-zoomBalance Series 9, 2009, Daudi Karungi. Image Credit: https://www.jumia.ug/daudi-karungi-decorative-canvas-wall-art-balance-series-9-27936.html2016-01-04T18:28:19+00:00monthlyhttps://ambikarajgopal.co/2016/01/02/american-artist-louise-nevelson-a-life-shaped-by-creativity/https://ambikarajgopal.co/wp-content/uploads/2016/01/louise-nevelson-ohne-titel.jpglouise-nevelson-ohne-titelLouise Nevelson, Untitled, 1975, Image Credit: Die Galeriehttps://ambikarajgopal.co/wp-content/uploads/2016/01/louise-nevelson-ohne-titel1.jpglouise-nevelson-ohne-titel1Louise Nevelson, Untitled, 1982, Image Credit: Die Galeriehttps://ambikarajgopal.co/wp-content/uploads/2016/01/tumblr_ntidzlarzf1sp763oo1_1280.giftumblr_ntidzlaRZF1sp763oo1_1280Louise Nevelson, New Continent, 1962, Image Credit: http://artfromthefuture.tumblr.com/post/127351334705/new-continent-1962-louise-nevelsonhttps://ambikarajgopal.co/wp-content/uploads/2016/01/22852_nevelson.jpg22852_NEVELSONLouise Nevelson, Untitled, 1968, Image Credit: Bill Jacobson / PaceWildenstein, New Yorkhttps://ambikarajgopal.co/wp-content/uploads/2016/01/nevelson-untitled-ca-1976-wood-painted-black-2438x122x33-cm-image-courtesy-of-die-galerie-frankfurt.jpgNevelson, Untitled, ca.1976, wood painted black, 243,8x122x33 cm | Image Courtesy of DIE GALERIE, FrankfurtLouise Nevelson, Untitled, ca.1976, wood painted black, 243,8x122x33 cm | Image Courtesy of DIE GALERIE, Frankfurthttps://ambikarajgopal.co/wp-content/uploads/2016/01/1681_louisenevelson_1986web0.jpg1681_LouiseNevelson_1986web0Portrait of Nevelson, 1986, Robert Mapplethorpe. Image Credit: http://www.mapplethorpe.org/exhibitions/2011-11-01_onassis-cultural-centre/ https://ambikarajgopal.co/wp-content/uploads/2016/01/open-uri20120908-6690-g6rvm3.jpgopen-uri20120908-6690-g6rvm3.Portr2016-01-04T17:19:45+00:00monthlyhttps://ambikarajgopal.co/2016/01/01/artist-of-the-week-john-ledger/https://ambikarajgopal.co/wp-content/uploads/2016/01/central-bombardment-2009.jpgCentral Bombardment (2009)Central Bombardment, 2009, John Ledger. Image Credit: John Ledgerhttps://ambikarajgopal.co/wp-content/uploads/2016/01/the-democratic-umbrella-2012.jpgThe Democratic Umbrella (2012)The Democratic Umbrella, 2012, John Ledger. Image Credit: John Ledgerhttps://ambikarajgopal.co/wp-content/uploads/2016/01/the-planets-mental-illness-2012.jpgThe Planet's Mental Illness (2012)The Planet's Mental Illness!, 2012, John Ledger. Image Credit: John Ledgerhttps://ambikarajgopal.co/wp-content/uploads/2016/01/the-show-must-go-on-2009.jpgThe Show must go on! (2009)The Show Must Go On!, 2009, John Ledger. Image Credit: John Ledgerhttps://ambikarajgopal.co/wp-content/uploads/2016/01/tomorrow-i-will-do-the-same-as-i-did-today-2008.jpgTomorrow I will do the same as I did today (2008)Tomorrow I Will Do The Same As I Did Today, 2008, John Ledger. Image Credit: John Ledger2016-01-04T17:15:30+00:00monthlyhttps://ambikarajgopal.co/2016/01/01/black-on-black-f-n-souza-race-and-creativity-in-post-war-britain/https://ambikarajgopal.co/wp-content/uploads/2016/01/25-ref-230-portrait-of-a-girl-1965.jpg25-ref-230-portrait-of-a-girl-1965Portrait of a Girl, 1965, F. N. Souza. Image Credit: http://grosvenorgallery.com/exhibitions/current-exhibitions/f-n-souza-black-on-black/#https://ambikarajgopal.co/wp-content/uploads/2016/01/46-black-valentine-1965.jpg46-black-valentine-1965Black Valentine, 1965, F. N. Souza. Image Credit: http://grosvenorgallery.com/exhibitions/current-exhibitions/f-n-souza-black-on-black/#https://ambikarajgopal.co/wp-content/uploads/2016/01/45-ref-168-vase-with-flowers-1965.jpg45-ref-168-vase-with-flowers-1965Vase with Flowers, 1965, F. N. Souza. Image Credit: http://grosvenorgallery.com/exhibitions/current-exhibitions/f-n-souza-black-on-black/#2016-01-04T17:06:13+00:00monthlyhttps://ambikarajgopal.co/2016/01/01/frieze-london-2013/https://ambikarajgopal.co/wp-content/uploads/2016/01/fran.jpgfranA Scene in a Heaven, Anonymous. Image Credit: http://friezemasters.com/exhibitors/exhibit/5608/4287https://ambikarajgopal.co/wp-content/uploads/2016/01/23-ref-121-lovers-1965.jpg23-ref-121-lovers-1965Lovers, 1965, F. N. Souza. Image Credit: http://grosvenorgallery.com/art-fairs/current-art-fairs/frieze-masters/https://ambikarajgopal.co/wp-content/uploads/2016/01/cor.jpgcorI was you, 2013, Aisha Khalid. Image Credit: http://friezelondon.com/exhibitors/exhibit/5424/4225https://ambikarajgopal.co/wp-content/uploads/2016/01/m.jpgmSolstice, 2013, Mehreen Murtaza. Image Credit: http://friezelondon.com/exhibitors/exhibit/5498/3637https://ambikarajgopal.co/wp-content/uploads/2016/01/2000x2000.jpg2000x2000Trotskyites Anonymous, 2013, Sarnath Banerjee. Image Credit: http://friezelondon.com/exhibitors/exhibit/5393/3942https://ambikarajgopal.co/wp-content/uploads/2016/01/17iht-rartmumbai17b-popup.jpg17iht-rartmumbai17b-popupHouseplant and Sun Quotation, 2013, Neha Choksi. Image Credit: http://www.nytimes.com/2013/10/17/arts/international/indian-artist-explores-absence-through-presence.html?_r=1&https://ambikarajgopal.co/wp-content/uploads/2016/01/frieze-art-fair-london.jpgfrieze-art-fair-londonFrieze Art Fair exterior, 2013. Image Credit: http://www.londonbb.com/frieze-art-fair-london/https://ambikarajgopal.co/wp-content/uploads/2016/01/9.jpg9Forthcoming Titles, 2012, Raqs Media Collective. Image Credit: http://www.project88.in/individual-work.php?artfair=ARFR0020&workid=92016-01-04T17:01:41+00:00monthlyhttps://ambikarajgopal.co/2016/01/01/the-sovereign-forest-other-stories/https://ambikarajgopal.co/wp-content/uploads/2016/01/1170_original.jpg1170_originalListening Bench, 2013, Amar Kanwar. Image Credit: http://www.ysp.co.uk/exhibitions/amar-kanwar-the-sovereign-forest-other-storieshttps://ambikarajgopal.co/wp-content/uploads/2016/01/5045.jpg5045A Love Story, 2010, Amar Kanwar. Image Credit: http://www.ysp.co.uk/exhibitions/amar-kanwar-the-sovereign-forest-other-storieshttps://ambikarajgopal.co/wp-content/uploads/2016/01/amar-kanwar1536ls.jpgAmar-Kanwar1536LSThe Sovereign Forest 2012-, Amar Kanwar. Image Credit: http://www.ysp.co.uk/exhibitions/amar-kanwar-the-sovereign-forest-other-storieshttps://ambikarajgopal.co/wp-content/uploads/2016/01/3969.jpg3969The Sovereign Forest, 2010-2012, Amar Kanwar. Image Credit: http://www.tba21.org/augarten_activities/1652016-01-04T16:49:21+00:00monthlyhttps://ambikarajgopal.co/2016/01/01/musical-and-visual-collaboration-with-dayanita-singh-and-talvin-singh/https://ambikarajgopal.co/wp-content/uploads/2016/01/ts.jpgtsTalvin Singh in performance. Image Credit: Ambika Rajgopalhttps://ambikarajgopal.co/wp-content/uploads/2016/01/privacy9_0.jpgprivacy9_0Privacy, 2004, Dayanita Singh. Image Credit: http://www.dayanitasingh.com/privacyhttps://ambikarajgopal.co/wp-content/uploads/2016/01/zakir4.jpgzakir4Zakir Hussain, 1986, Dayanita Singh. Image Credit: http://www.dayanitasingh.com/zakir-hussainhttps://ambikarajgopal.co/wp-content/uploads/2016/01/3.jpg3Myself Mona Ahmed, 2001, Dayanita Singh. Image Credit: http://sohamguptablog.wordpress.com/review/https://ambikarajgopal.co/wp-content/uploads/2016/01/sentaletter2.jpgsentaletter2Sent a letter, 2008, Dayanita Singh. Image Credit: http://www.dayanitasingh.com/sent-a-letterhttps://ambikarajgopal.co/wp-content/uploads/2016/01/dayanita-singh-mus_2692868c.jpgdayanita-singh-mus_2692868cDayanita Singh photographed in her ‘Museum of Chance’ at the Hayward Gallery. Image Credit: http://www.telegraph.co.uk/culture/photography/10356315/Dayanita-Singh-interview.htmlhttps://ambikarajgopal.co/wp-content/uploads/2016/01/ts2.jpgts2Talvin Singh, Stephanie Rosenthal and Daynita Singh in conversation. Image Credit: Ambika Rajgopal2016-01-04T16:40:35+00:00monthlyhttps://ambikarajgopal.co/2016/01/01/seven-sisters/https://ambikarajgopal.co/wp-content/uploads/2016/01/image_row_1.jpgImage_row_1Left: The Edge of Time – Ancient Rome from Roaming, 2006, Carrie Mae Weems; Right: Din Facing Forward, 2012, Mickalene Thomas. Image Credit: http://www.jenkinsjohnsongallery.com/exhibitions/13seven.sisters/13seven_PR.htmlhttps://ambikarajgopal.co/wp-content/uploads/2016/01/screen-shot-2013-10-10-at-1-24-02-pm.pngScreen Shot 2013-10-10 at 1.24.02 PMUpon first myth and empirical observation the hero her angel leaps in cry opens the moon to urge on a rain that may cleanse all from the sweat of her jealous man, 2013, Rina Banerjee. Image Credit: http://www.jenkinsjohnsongallery.com/exhibitions/13seven.sisters/13seven_PR.htmlhttps://ambikarajgopal.co/wp-content/uploads/2016/01/rinabanerjee1.jpgRinaBanerjee1Detail of installation, “A world Lost” at Smithsonian‘s Arthur M. Sackler Gallery, 2013, Rina Banerjee. Image Credit: http://www.asia.si.edu/exhibitions/current/rina-banerjee.asphttps://ambikarajgopal.co/wp-content/uploads/2016/01/now_voyager5.jpgnow_voyager5Take me, take me, take me to the Palace of Love, 2003, Rina Banerjee. Image Credit: http://www.artindiamag.com/quarter_03_03_13/now_voyager.html2016-01-04T16:27:31+00:00monthlyhttps://ambikarajgopal.co/2016/01/01/sujata-bajaj-peregrination-of-colour/https://ambikarajgopal.co/wp-content/uploads/2016/01/last-bird-2005.jpgLast-Bird-2005The Last Bird (detail), 2005, Sujata Bajaj. Image Credit: http://artradarjournal.com/2011/12/13/words-in-art-how-indian-born-sujata-bajaj-uses-sanskrit-on-canvas/https://ambikarajgopal.co/wp-content/uploads/2016/01/sujatab7act57x14abc_big.jpgsujatab7act57x14abc_bigAscent, 2005, Sujata Bajaj. Image Credit: http://www.saffronart.com/auctions/PostWork.aspx?l=2278https://ambikarajgopal.co/wp-content/uploads/2016/01/sujata_13abs_10427_big.jpgsujata_13abs_10427_bigUntitled, Sujata Bajaj. Image Credit: http://www.saffronart.com/auctions/PostWork.aspx?l=8396https://ambikarajgopal.co/wp-content/uploads/2016/01/130204134636thn.jpg130204134636thnPeregrination of Colour, Sujata Bajaj. Image Credit: http://www.artalivegallery.com/artists.php?page=3&cat=artists&scat=42&show_display=&show_work=true#32016-01-04T16:22:10+00:00monthlyhttps://ambikarajgopal.co/2016/01/01/heritage-reinvented-inaugural-exhibition/https://ambikarajgopal.co/wp-content/uploads/2016/01/pic_te_hokioi_1.jpgpic_te_hokioi_1Te Hokioi, 2008, Brett Graham. Image Credit: © Tryon St. Gallery and Brett Grahamhttps://ambikarajgopal.co/wp-content/uploads/2016/01/1-untitled-self-portrait-series-watercolour-pigments-on-paper-56x45-5cm.jpg1-Untitled self portrait series, watercolour pigments on paper 56x45.5cmUntitled (self portrait) series, 2013, Ali Kazim. Image Credit: © Tryon St. Gallery and Ali Kazimhttps://ambikarajgopal.co/wp-content/uploads/2016/01/after-the-dragon-email.jpgafter-the-dragon-emailAfter the Dragon, 2000. Tom Hunter. Image Credit: © Tryon St. Gallery and Tom Hunterhttps://ambikarajgopal.co/wp-content/uploads/2016/01/1-the-dark-cloud-seires-watercolour-pigments-on-paper125x102cm.jpg1-The Dark Cloud seires, watercolour pigments on paper,125x102cmThe Dark Cloud series, 2013, Kazim Ali. Image Credit: © Tryon St. Gallery and Ali Kazim2016-01-04T16:16:58+00:00monthlyhttps://ambikarajgopal.co/2016/01/01/subjects-spaces-women-in-indian-photography/https://ambikarajgopal.co/wp-content/uploads/2016/01/wi08ss64-maharani-menaka-devi-c-1940.jpgwi08ss64-maharani-menaka-devi-c-1940Portrait of Maharani Menaka Devi, 1940. Image Credit: http://www.tasveerarts.com/group-shows/subjects-spaces/view-individual-images/?p=22https://ambikarajgopal.co/wp-content/uploads/2016/01/wi08ss33-nautch-wali-dancing-girl-c-1890.jpgwi08ss33-nautch-wali-dancing-girl-c-1890Nautch Wali Dance Girl, 1890. Image Credit: http://www.tasveerarts.com/group-shows/subjects-spaces/view-individual-images/?p=25https://ambikarajgopal.co/wp-content/uploads/2016/01/wi08ss21-group-portrait-in-a-marathi-house-c-1910.jpgwi08ss21-group-portrait-in-a-marathi-house-c-1910Group portrait in Marathi House, 1910. Image Credit: http://www.tasveerarts.com/group-shows/subjects-spaces/view-individual-images/?p=10https://ambikarajgopal.co/wp-content/uploads/2016/01/wi08ss38-portrait-of-the-actress-saira-banu-c-1965.jpgwi08ss38-portrait-of-the-actress-saira-banu-c-1965Portrait of the Actress Saira Banu, 1965. Image Credit: http://www.tasveerarts.com/group-shows/subjects-spaces/view-individual-images/?p=492016-01-04T16:11:37+00:00monthlyhttps://ambikarajgopal.co/2016/01/01/nalini-malani-beyond-print-memory-transference-montage/https://ambikarajgopal.co/wp-content/uploads/2016/01/l2_v334166_958_480_320-12.jpgl2_v334166_958_480_320-12In Search of Vanished Blood, 2012, Nalini Malani. Image Credit: http://www.stylepark.com/en/news/observations-in-space-and-time/334166https://ambikarajgopal.co/wp-content/uploads/2016/01/1235172_10151583673215382_1489699936_n.jpg1235172_10151583673215382_1489699936_nhttps://ambikarajgopal.co/wp-content/uploads/2016/01/memory__2009__digital_print__56x76cm.jpgMemory__2009__Digital_print__56x76cmMemory, 2009, Nalini Malani. Image Credit: http://www.artslant.com/ny/works/show/217399https://ambikarajgopal.co/wp-content/uploads/2016/01/20101016024318-cassandra_30_panel_polyptych__2009.jpg20101016024318-Cassandra_30_panel_polyptych__2009Cassandra 30 panel polyptych, 2009, Nalini Malani. Image Credit: http://www.artslant.com/ny/works/show/3619852016-01-04T16:11:08+00:00monthlyhttps://ambikarajgopal.co/2015/12/31/waseem-ahmed-pious-fear/https://ambikarajgopal.co/wp-content/uploads/2015/12/wa-image-2.jpgWA- Image 2Samsara, 2004, Sohan Qadri. Image Credit: http://www.artslant.com/global/artists/show/5088-sohan-qadrihttps://ambikarajgopal.co/wp-content/uploads/2015/12/wa-image-1.jpgWA- Image 1Untitled 2012, Waseem Ahmed. Image Credit: http://www.gowencontemporary.com/exhibitions/w-ahmed-gowen-contemporary-sept-oct-2013-photos/2016-01-04T16:10:32+00:00monthlyhttps://ambikarajgopal.co/2016/01/01/beyond-canvas-paintings-on-paper-and-metal-sohan-qadri-nathan-slate-joseph/https://ambikarajgopal.co/wp-content/uploads/2016/01/samsara.jpgSamsaraSamsara, 2004, Sohan Qadri. Image Credit: http://www.artslant.com/global/artists/show/5088-sohan-qadrihttps://ambikarajgopal.co/wp-content/uploads/2016/01/nj538e_chichentime20.jpgNJ538e_ChichenTime20Chichentime 1, 2011, Nathan Slate Joseph. Image Credit: http://prod-images.exhibit-e.com/www_sundaramtagore_com/2013_08_BeyondCanvas.pdfhttps://ambikarajgopal.co/wp-content/uploads/2016/01/20130605024251-sq735e1.jpg20130605024251-SQ735e1Untitled, 2008, Sohan Qadri. Image Credit: http://www.artslant.com/global/artists/show/5088-sohan-qadrihttps://ambikarajgopal.co/wp-content/uploads/2016/01/sq678p1.jpgOriginal artwork by Sohan Quadri.Untitled, 2007, Sohan Qadri. Image Credit: http://prod-images.exhibit-e.com/www_sundaramtagore_com/2013_08_BeyondCanvas.pdf2016-01-04T16:03:09+00:00monthlyhttps://ambikarajgopal.co/2016/01/01/iran-modern-at-asia-society-museum/https://ambikarajgopal.co/wp-content/uploads/2016/01/86-siah-armajani-ledge-1-1970.jpg86.-Siah-Armajani.-Ledge-(1),-1970Ledge (1), 1970, Siah Armajani. Image Credit: http://asiasociety.org/new-york/exhibitions/iran-modern#!artworkshttps://ambikarajgopal.co/wp-content/uploads/2016/01/brown.pngbrownhttps://ambikarajgopal.co/wp-content/uploads/2016/01/green.pnggreenUntitled, 1973, Abolghassem Saidi. Image Credit: http://asiasociety.org/new-york/exhibitions/iran-modern#!artworkshttps://ambikarajgopal.co/wp-content/uploads/2016/01/wi08ss33-nautch-wali-dancing-girl-c-18901.jpgwi08ss33-nautch-wali-dancing-girl-c-1890https://ambikarajgopal.co/wp-content/uploads/2016/01/colors.pngcolorsUntitled, 1977, Monir Shahroudy Farmanfarmaian, Image Credit: http://asiasociety.org/new-york/exhibitions/iran-modern#!artworks2016-01-04T15:46:11+00:00monthlyhttps://ambikarajgopal.codaily1.02017-10-09T17:49:08+00:00